Seller Kel Clarke
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 15.8in, Width 19.7in
- Framing This artwork is not framed
- Categories Beach
Related themes
Kel Clarke b.1974
Subject: Portraits and Landscapes
Theme: The human condition and experience.
Mediums: Acrylic, oil, charcoal, graphite, mixed media and photography
'The job of the artist is always to deepen the mystery'.
Francis Bacon.
The human condition is not stagnant. It is a fluid and multifaceted experience. I view it like an ‘alphabet’ for example; anxiety, boredom, conflict, detachment, empathy, fear etc.. .
Instinct and intuition balanced with physical observation form the basis for my creative process. Physically, I layer the materials to construct and deconstruct the image to communicate concentrations of the ‘alphabet’.
My first substantive exposure to the Visual Arts was in 1991 when I had a curatorial work placement at the Monash Gallery of Art (previously City of Waverley Art Gallery). I continued to work at the gallery as a volunteer until 1994.
In 1993, I commenced formal training at Monash University, Caulfield, and graduated with a Bachelor of Fine Art in 1995. I was invited by the University to undertake a forth Honours year. After a gap period involving travel, I returned to Monash in 1998 and graduated with a Honours Degree of the Bachelor of Arts (Fine Art).
During the 1990s and early 2000s I exhibited widely in group shows in Victoria, Australia. Galleries where I exhibited work include Geelong Regional Art Gallery, Alchemy, and Goya.
In 2004, with the rapid rise of the Internet as a tool to exhibit art, I directed and curated my own online gallery, 'Way Out West Studios'. This online gallery and exhibition closed in 2007. Selected work from this period can be viewed on this gallery site.
Recognition.
In 2020, I received 'Highly Commended' by the Australian War Memorial Canberra, Napier Waller Art Prize, with my work titled, 'Resilience'.
In 2015 I was a semi-finalist in the 'Doug Moran National Portrait Prize', with my entry titled, 'And?'.
In 2013 I was a semi-finalist in the 'Doug Moran National Portrait Prize' with my entry titled, 'Day 993 0f 1096'.
My work is held in private & public collections in Australia and England, including the Public National Collection at the Australian War Memorial, Canberra, Australia.
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Nationality:
AUSTRALIA
- Date of birth : 1974
- Artistic domains:
- Groups: Contemporary Australian Artists
