August 2007 Картина - Karin Martina Wloczyk

  • Подлинное произведение искусства (One Of A Kind) Картина, Акрил / Воск на Холст
  • Размеры Высота 39,4in, Ширина 51,2in
  • Рама Эта работа не оформлена
  • Категории Картины до 5 000 $ Абстрактное
Mischtechnik auf Leinwand По поводу данного произведения: Классификация, методы & Стили Акрил Краска с использованием традиционных пигментов, смешанных[...]
Mischtechnik auf Leinwand

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FarbfelderSonneStrukturGelb

Переведено автоматически
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I am a painter and violinteacher in Berlin. My works have been exhibited for 25 years and are represented in private and public collections. Painting and my violin have accompanied me since early childhood. My[...]

I am a painter and violinteacher in Berlin. My works have been exhibited for 25 years and are represented in private and public collections.

Painting and my violin have accompanied me since early childhood.

My painting theme are colorfields that find expression in a variety of forms, often self-invented techniques and with different media, mostly in series.

This perhaps roughly corresponds to the musical form 'theme with variations'.

The variations of my main theme arise in correspondence with my respective life themes and situations.

The selection of works presented here are divided into three categories:

colorfields 

stripes 

dots

The tension between freedom and limitations is the main theme of my painting. How much structure does freedom need in order to be able to develop to its maximum .....this is an important question for me.

Especially Classical Music with its many specifications and abstract painting in which everything is possible.... they alternate with each other, sometimes organically, sometimes abruptly both in my life and in my paintings. The theme can be found in my artworks primarily in the use of the line as a limiting elementor-actually- in my dots as the only structure-forming marks allowed.

In general, the Dots series brings an unexpected additional benefit to my painting... that is the meditative flow during the constant repetition of dots.  I get bored very quickly with traditional meditation, but these abstract pointillist paintings require a high degree of mindfulness and presence.  I would be happy if some of this deceleration spilled over to the viewers of 

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