Melon Tinge Freckle Faced Plum Blossoms 1538 (2022) Фотография - Jill Annette Johnson

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  • Эта работа является "Открытое издание" Фотография, Giclée Print / Цифровая печать
  • Размеры Доступны несколько размеров
  • Доступно несколько опор (Бумага изобразительного искусства, Тиснение по металлу, Печать на холсте)
  • Рама Обрамление доступно (Плавающая рамка + под стеклом, Рамка + Под акриловое стекло)
  • Состояние картины Картина в идеальном состоянии
  • Категории Восточное искусство Сельская местность
A simple statement of fact by our cheeky #freckle-faced with a melon tinge native plum blossoms. Lagom fagnad mattligt krus, gifves uti detta hus in the nature of feng shui Swedish lingo. Moderation gives moderately unto this house. Come Fall, a handful of plums from this tree is enough to satisfy your craving, just as a simple bunch contains an elegance[...]
A simple statement of fact by our cheeky #freckle-faced with a melon tinge native plum blossoms. Lagom fagnad mattligt krus, gifves uti detta hus in the nature of feng shui Swedish lingo. Moderation gives moderately unto this house. Come Fall, a handful of plums from this tree is enough to satisfy your craving, just as a simple bunch contains an elegance shown only in restraint. But I'm throwing out any size restraints so that Interior decorators can install digital trees in the large spaces they need to accommodate. This set is customizable.

As it happens, this picture works nicely on just about any surface; and in many #commercial digital applications because the tones are just transparent and creamy enough not to overwhelm. #Interior #Designers, I’ll #custom grow it #gigantic for you. This #photograph is could easily scale to #mural size: just the feng shui a large wall requires. It makes a nice background in #web applications. It could be printed on #mugs, #murals, #curtains, #t-shirts, #pillows, #plates, #tapestries, #shoes, and any other object you fancy. I melds well with other #nature prints just because it is naturally nature.

This #plum tree shelters and feeds bird equally audacious in color, big bees and little, covered in yellow, rolling in a lemony-chiffon ecstasy, too many to count, deer will often trim branches eat ripe off the vine #plums #divine in one gulp.

Many thanks to the trees for allowing me to get in on these dynamic pictures that are available in #custom limited edition, #commercial #licensing hand #signed #giclee prints in huge sizes (or little if you want) of the best quality because as mentioned; #photos like this are divine. I'll make the #prints one at a time with your needs in mind. This #photograph is could easily scale to #mural size

Your delightfully difficult decision will be between lush #linen stretched canvas, or archival #velour petal-feel paper, or #vibrant metal plate surfaces. #Museum-quality #archival #acid-free #reproductions that grow up to 60 inches wide with no pixelation in giclee #printing. For all this and other options, just jump up and holler to me at the best gallery in the world where you can see this in bigger #blooming #quality

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I went to a vocational school in 1977 for Commercial Art. Now this occupation has come to be known as Graphic Design. We drew logos and designed advertisements by hand (with an ink pen, usually). Typewriters[...]

I went to a vocational school in 1977 for Commercial Art. Now this occupation has come to be known as Graphic Design. We drew logos and designed advertisements by hand (with an ink pen, usually). Typewriters or hand lettering would be used to convey messages. Knowledge of the print and photography processes was necessary due to the fact that computers had not been invented yet. If something was to be printed; one would need to go to a print shop, and I was putting it all together. So my first real job was at a print shop. Then I worked for a couple of newspapers where I was an Advertising Artist (same as Graphic Artist or Commercial Artist). Please see my lengthy resume on linked in (listed in the news section here) for the other 40 years of my professional experience as an artist, writer, and teacher.

 I'm well versed at designing graphic logos, brochures, resumes, business documents, advertisements, and the like using effective communication; writing, and art, which is a result of knowledge of one’s language and vision.

Delving a little deeper into the physics of writing and art, we find it contains a process of: 1. ideas; the creative unleashing of possible theories (madman) 2. formation; a foundation is planned (architect) 3. building; drafts are written (carpenter) 4. finishing; the writing is polished (finishing editor/proofreader) I’ve used these guiding principles countless times in my life. Just as a jeweler would not be able to sell rough stones, Jill would not have been able to make anything in the publishing field without employing these principles. Her college papers would have been fair to dull rocks. She can say this as the daughter of a bricklayer who was the son of a stonemason in a familial line that dates back to the middle 1600s. 

So of course I did learn about laying bricks and throwing rocks too. Not very many structures stand the test of time when we throw rock (rough drafts). Only with this brick, mortar, and finish will the building stand. But enough about my lineage. My capstone point is that the finishing point of any building or art should communicate a great product. In creating this description I had the above principles in mind. My college papers, business papers, copywriting, web designs, resumes, and even informal conversations are inclusive of this process of which is a vital component. Why? Well, I might want to throw a rock at myself if I assume myself incapable of accomplishing as much. And as the daughter of a bricklayer, I think I know about bricks and buildings, mortar, and capstones. So now my concluding paragraph contains the capstone of what is called art. Art, as my gem of a teacher told me, is constructed with similar principles. It contains a precise methodology that assures great communication. I would like to involve you in this structure. 

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