The feeling of being trapped (2022) 数字艺术 由 Jan Keteleer

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Do you sometimes feel trapped? You have everything to be happy yet you feel limited in your abilities. That is my question to the viewer of this work. I portray this question by taking a beautiful young woman in a nice dress. She is clearly of well-to-do descent and has inherited from birth that anything is possible in her life. She can[...]
Do you sometimes feel trapped? You have everything to be happy yet you feel limited in your abilities. That is my question to the viewer of this work.

I portray this question by taking a beautiful young woman in a nice dress. She is clearly of well-to-do descent and has inherited from birth that anything is possible in her life. She can reach the highest peaks and, as I elaborate here, explore the heavens together with the birds.
But, and this but have many of us, she is in a cage. This cage can be anything. For example, she cannot go with the partner she loves. She may be under constant social pressure. She also, like many women, can never break through the glass ceiling that man-centered society has placed over her.

It really can be anything that makes you feel confined as if in a cage. A cage, in this case a bird cage, around which birds fly lustily in the air. Read a cage in which you sit and around which everyone else is just doing their thing and which you think is not limited in their abilities.

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从他对古典艺术和现代/当代艺术的兴趣来看,比利时艺术家Jan Keteleer(JanKé)的作品具有不同的风格。古代艺术是他的兴趣之一,但你也可以在流行艺术和印象主义中找到他的作品范例。如果你浏览Jan Keteleer的作品集,你会发现美丽的自然景象、动物的绘画性图像或基于流行艺术的裸体。 在多年的商业摄影工作之后,他将兴趣转向了艺术性的黑白摄影。像《无言》、《无声的对话》和《根与禁忌》这样的项目给他带来了名声。他的灵感来自于比利时多元文化社会的问题,不同民族和种族群体的共存,语言障碍的问题,以及[...]

从他对古典艺术和现代/当代艺术的兴趣来看,比利时艺术家Jan Keteleer(JanKé)的作品具有不同的风格。古代艺术是他的兴趣之一,但你也可以在流行艺术和印象主义中找到他的作品范例。如果你浏览Jan Keteleer的作品集,你会发现美丽的自然景象、动物的绘画性图像或基于流行艺术的裸体。

在多年的商业摄影工作之后,他将兴趣转向了艺术性的黑白摄影。像《无言》、《无声的对话》和《根与禁忌》这样的项目给他带来了名声。他的灵感来自于比利时多元文化社会的问题,不同民族和种族群体的共存,语言障碍的问题,以及 "老"(本土人口)和 "新 "比利时人(移民)之间缺乏对话。

今天,他已经完全致力于数字绘画。他使用经典的技术,如丙烯酸和粉彩,创造出单独的元素,然后用数字方式将其组合起来并完成。

杨凯非常重视他的作品的社会意义,并将它们融入公共空间(车站、机场和公共交通)的背景中,促使观众做出反应和反思。他的项目得到了Sprakeloos组织的支持,该组织旨在利用艺术来引发对社会问题的讨论。

他在比利时(安特卫普、布鲁日、里尔、鲁汶和根特)、美国(达拉斯和旧金山)和波兰(克拉科夫)举办过多次展览。

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