la donna alte (2021) Pittura da Linda Schneider

Non in vendita

Venditore Linda Schneider

Carta per belle arti, 12x5 in
  • Opera d'arte originale (One Of A Kind) Pittura, Olio su Tela
  • Dimensioni Altezza 60in, Larghezza 24in
  • Incorniciatura Questa opera d'arte non è incorniciata
  • Categorie Figurativo
My interpretation new classicism. This painting features glazes of Windsor & Newton water-based oil paint over a monochrome under-painting. She is a large painting which is why I am not putting her up for sale outside Australia due to shipping logistics. However, if you are interested in purchasing the original painting, please message me through[...]
My interpretation new classicism. This painting features glazes of Windsor & Newton water-based oil paint over a monochrome under-painting. She is a large painting which is why I am not putting her up for sale outside Australia due to shipping logistics. However, if you are interested in purchasing the original painting, please message me through Artmajuer and I could look into the costs so that this could be arranged. Prints are available through Artmajuer.

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I grew up on a mixed farm, until I went to high school aged 11 in the Wimmera district in Victoria Australia. At high school, unable to timetable both Art and Math, I studied the latter by correspondence in[...]

I grew up on a mixed farm, until I went to high school aged 11 in the Wimmera district in Victoria Australia. At high school, unable to timetable both Art and Math, I studied the latter by correspondence in the school library. I was not very disciplined and spent most of my time looking through Art books. Later, I completed a Diploma in Fine Art (Painting), and a Graduate Diploma (Sculpture). Wanting to travel, I gained further qualifications in teaching, linguistics, and languages.

My work is largely auto-biographical and incorporates elements of my history and my future goals – even before I am consciously aware of these goals or historical references myself. I am currently drawing with a variety of mark-making media, and painting in both acrylic and oils.

I believe that practice, and physiological and mental predispositions, combined with life and incidental circumstances, confirm the direction and so-called talent of any individual. As humans who have evolved and endured, we sought patterns in nature which helped our species to survive. Now we revive those patterns in our culture. We see relationships everywhere; in nature, mathematics, science, storytelling, music and in the visual arts etc. We often are unconsciously aware of these patterns.

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