ARTISTIC APPROACH Working on the image with the image. Those distributed in magazines and newspapers reflecting our time. The table becomes a fluoroscopic image of contemporary society as complicated as it is. Give the table the effect of a lucky dip where we start to discover the sometimes intrusive images, humorous or ironic that I like to incorporate. To talk the tables using titles and newspaper articles, engage in reflection. My paintings are to see and read.
STYLE AND TECHNICAL I realize my paintings entirely in collages of all types of printing paper. The style is contemporary, fine dexterity rather structured. My creations are triggered in different ways: Either I leave an image then comes the study of the stage. Or I go to a theme and then I look for images that focus on. That is why my paintings are almost never the same.
COURSE AND INSPIRATION Autodidact. I need to stimulate tactile senses to learn. Since my childhood, I try to create, imagine, ask me questions. The movement punck and aesthetics of Sarah Moon photos marked my adolescence. I like doing the splits between two worlds. I first practiced painting, and then I discovered the collage, an art major, marginal as I like. I feel the images as emotions and I use them to compose stories and make original works. The modern world and its contradictions are my main inspirations.
Suffice to say that the topics are endless! Isabelle Vernet
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Categories: contemporary french artists.
Artistic domains:
Digital Arts, Collages.
Account type:
Artist,
member since 2016 (Country of origin France).
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Discover great art by contemporary artist Isabelle Vernet. Browse artworks, buy original art or high end prints.
Editor's Pick
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Professional Artist
Exercises the profession of artist as a main activity
Biography
ARTISTIC APPROACH Working on the image with the image. Those distributed in magazines and newspapers reflecting our time. The table becomes a fluoroscopic image of contemporary society as complicated as it is. Give the table the effect of a lucky dip where we start to discover the sometimes intrusive images, humorous or ironic that I like to incorporate. To talk the tables using titles and newspaper articles, engage in reflection. My paintings are to see and read.
STYLE AND TECHNICAL I realize my paintings entirely in collages of all types of printing paper. The style is contemporary, fine dexterity rather structured. My creations are triggered in different ways: Either I leave an image then comes the study of the stage. Or I go to a theme and then I look for images that focus on. That is why my paintings are almost never the same.
COURSE AND INSPIRATION Autodidact. I need to stimulate tactile senses to learn. Since my childhood, I try to create, imagine, ask me questions. The movement punck and aesthetics of Sarah Moon photos marked my adolescence. I like doing the splits between two worlds. I first practiced painting, and then I discovered the collage, an art major, marginal as I like. I feel the images as emotions and I use them to compose stories and make original works. The modern world and its contradictions are my main inspirations.
Suffice to say that the topics are endless! Isabelle Vernet