Woodland II (2022) Drawing by Isabelle Stagg

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Sold by Isabelle Stagg

  • Original Artwork (One Of A Kind) Drawing, Ink on Paper
  • Dimensions Height 25.6in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Illustration Forest
Dessin a l'encre noire, pointe fine sur papier blanc 350g, paysage provençal à travers les forêts. Black ink drawing, fine line on white paper 350g. Landscape in Provence through dense woods. Les arbres sont princes de l’immobilité. Ils prouvent que la puissance ne se définit pas par le mouvement. Leur royaume est[...]
Dessin a l'encre noire, pointe fine sur papier blanc 350g, paysage provençal à travers les forêts.

Black ink drawing, fine line on white paper 350g.
Landscape in Provence through dense woods.

Les arbres sont princes de l’immobilité. Ils prouvent que la puissance ne se définit pas par le mouvement. Leur royaume est le terrain qu’ils couvrent de leur ombrage. Parfois il est bon de faire l’arbre. S’asseoir sur la terre. Humer la lumière. Laisser la fourmi nous escalader.
Les arbres nous apprennent à nous méfier du regard global. Vous voyez la forêt de loin, vous croyez que c’est une masse indistincte composée du même arbre mille fois reproduit. Et pour peu que vous avanciez, vous vous rendez compte que chaque arbre est singulier.
Extrait du livre « Une très légère oscillation » de Sylvain Tesson

Related themes

ForetArbresWoodlandTreesNoir

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Isabelle Stagg is a multidisciplinary artist specializing in printmaking, primarily relief and printmaking techniques, including photo printmaking. Inspired by the beauty of the South[...]

Isabelle Stagg is a multidisciplinary artist specializing in printmaking, primarily relief and printmaking techniques, including photo printmaking.

Inspired by the beauty of the South of France, she saw the immense richness of these landscapes, which led her to record through photography and the fine arts this magical encounter. Crossing the hills of Provence, the local diversity of vegetation with its natural cycles offers an infinite choice to compose and shape new structures. His work is a union of everything in this environment. The ink drawing required an intimate connection and observation with the subject to portray and reveal detail and a sense of wholeness together.

Isabelle Stagg lives and works in Hyère (France). Graduated from the University of the West of England in 2001 with a "Bachelor of Arts with Honours" in Fine Art. She received the Rebecca Smith Award from the Faculty of Fine Arts in her senior year. Followed by a Postgraduate Certificate in Art & Design Secondary Education also at the University of the West of England in Bristol, UK. She is a teacher, then Leader and responsible for the program and management of the Art & Design department in a school in the South West of England.

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