Katia-Laure Mininno-Lefevre
Katia-Laure Mininno-Lefèvre has been an iconographic painter for fifteen years.
After being introduced to iconography, she trained in a school of sacred art for 3 years where she was trained in the Greek technique of icon painting, supplemented by philosophical and theological training.
Thereafter she followed various courses with different "masters" to open up to other techniques and complete, enrich, her training. She turned in particular to Coptic iconography which, by its simplicity, joined her sensibility.
Discover contemporary artworks by Katia-Laure Mininno-Lefevre, browse recent artworks and buy online. Categories: contemporary french artists. Artistic domains: Painting. Account type: Artist , member since 2011 (Country of origin France). Buy Katia-Laure Mininno-Lefevre's latest works on ArtMajeur: Discover great art by contemporary artist Katia-Laure Mininno-Lefevre. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
Icônes • 25 artworks
View allIcônes déjà réalisées • 22 artworks
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Biography
Katia-Laure Mininno-Lefèvre has been an iconographic painter for fifteen years.
After being introduced to iconography, she trained in a school of sacred art for 3 years where she was trained in the Greek technique of icon painting, supplemented by philosophical and theological training.
Thereafter she followed various courses with different "masters" to open up to other techniques and complete, enrich, her training. She turned in particular to Coptic iconography which, by its simplicity, joined her sensibility.
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Nationality:
FRANCE
- Date of birth : 1973
- Artistic domains:
- Groups: Contemporary French Artists
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Katia-Laure Mininno-Lefèvre est une artiste peintre d’iconographie depuis une quinzaine d’années.
Après s’être initiée à l’iconographie, elle a suivi une formation dans une école d’art sacré pendant 3 ans où elle a été formée à la technique grecque de peinture d’icônes, complétée par une formation philosophique et théologique.
Par la suite elle a suivi différents stages avec des « maîtres » différents pour s’ouvrir à d’autres techniques et compléter, enrichir, sa formation. Elle s’est dirigée notamment vers l’iconographie copte qui, par sa simplicité, rejoint sa sensibilité.