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The Dress. Estampas & grabados por Hilary Mullany
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- embalaje (Embalaje de caja o cartón) Todas las obras se envían cuidadosamente protegidas y aseguradas, con un transportista premium.
- Seguimiento Seguimiento del pedido hasta la entrega al comprador. Se proporcionará un número de seguimiento para que pueda seguir el paquete en tiempo real.
- Plazos de tiempo Entrega mundial de 3 a 7 días (Estimar)
- Impuesto de aduana no incluido El precio no incluye gastos de aduana. La mayoría de los países no tienen impuestos de importación para obras de arte originales, pero es posible que deba pagar el IVA reducido. La oficina de aduanas calculará las tasas de aduana (si las hubiere) a la llegada y el transportista las facturará por separado.
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- Certificado de autenticidad online rastreable Los certificados de autenticidad se pueden verificar en línea en cualquier momento escaneando el código de la obra de arte.
- Certificación de la cotización de artista. Los expertos estudian el conjuto de la obra de un artista y su carrera y luego establecen una cotización media independiente y fiable. La cotización media permite situar al artista en una gama de precios durante un período determinado. También se puede solicitar a los expertos que fijen una cotizacion para una obra en particular.
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Obra de arte original
Estampas & grabados,
Linograbados
- Dimensiones Altura 8,7in, Anchura 6,3in
- Categorías Grabados e impresiones menos de 500 US$
Biography.
Even though for many years I never picked up a brush I always thought of myself as a painter. As a young mum I spent my time looking after my three children, doing the odd drawing or painting and selling a bit, but real life took over and art was just in my head.
Encouraged by my mother, as a thirteen year old, thinking I could draw, I enthusiastically took myself off to Saturday morning classes at my local art school. I soon found out the unvarnished truth. Three hours of figure drawing put me firmly in my place, at the bottom of the heap. Three years and hundreds of suspect figure drawings later, aged sixteen, I became a full time art student.
At Rochdale School of Art, full time students were expected to attend Monday to Friday from 9am ‘till 4.30pm and three evenings each week finishing at 9pm. Whole days of life drawing, figure composition, sculpture, making half life sized models in clay and then casting in plaster of Paris. We learned a craft, for me , fabric printing. Screen printing from our own designs, learning about dyes and precision. I still have my first effort done by my sixteen year old self.
After two years of playing at being an art student under the pretext of studying for ‘Inters’, I managed to fail spectacularly and only because of the efforts of my lovely Mum, was I accepted back to repeat the second year when I amazed everyone including myself by passing the Intermediate exam which opened the door to higher education.
Next came Swansea Art College where I undertook the N.D.D. taking painting at special level. I remember my first day, feeling terrified, looking up a stone staircase into the Art College, the smell of pencil sharpenings, oil paint, and clay, I knew my destiny awaited me at the top of those stairs. Coming from the damp grey days of the north west of England to Swansea, to the bright sunlight, the sea and the 60’s. I had the time of my life.
Later the N.D.D. National Diploma in Design was awarded degree status and everyone was able to convert.
As family life continued, I always was able to paint portraits as I cajoled my friends into ‘sitting’ for me in the evenings, persuaded by promised likenesses and glasses of wine until, in 1981, I went to Leeds University to do teacher training, then followed ‘The Teaching Years’. Tameside College, Oldham College,
Rochdale Metro. For nine years I was surrounded by art, the problem was very little of it was mine. I left.
I joined Saddleworth Craft Co-operative and shared an attic studio with a painter friend, Joyce Ella Parfitt. We had the tiniest gallery and sold our work. We both spent every Tuesday working with Manchester sculptor, Keith Hamlett in his Withington studio. A special time, which encouraged me to invest in my own small gallery and workshop where I was able to teach portrait painting two afternoon...
- Nacionalidad: REINO UNIDO
- Fecha de nacimiento : 1944
- Dominios artísticos:
- Grupos: Artistas Británicos Contemporáneos