白马 (2022) 絵画 恒 强 によって

在斑驳粗粝的机械背景下，这匹白马似乎有些羞涩，飘逸的长鬃毛使它看起来优雅且温和。它的眼睛隐藏在暗影之中，只隐约显露出点点睫毛。马作为农业手工时代生产力的代表形象，也在某种意义上隐喻了传统架上绘画艺术家。画面背景中的机器则是具备了代表了工业生产力的符号性。二者存在于同一画面中，表现了一个仍坚持于纯手工绘制的艺术家对于技术发展与精神传承之关系的思考的表达。
这个系列作品的材料为油画，在绘制过程则融合了水性坦培拉的一些手法，比方说绘画工具中包含了小号狼毫毛笔，将稀释过的颜料如同素描排线般塑造形体。
Against the background of mottled and rough machinery, this white horse seems a little shy, and its long flowing mane makes it look elegant and gentle. Its eyes are hidden in the shadows, only a few eyelashes are faintly revealed
As a representative image of productivity in the era of agricultural handicrafts, horses are also a metaphor for traditional easel painting artists in a sense. The machines in the background of the picture are symbolic of industrial productivity. The two exist in the same picture, expressing the expression of an artist who still insists on pure hand-painting on the relationship between technological development and spiritual inheritance.
The material of this series of works is oil painting, and some techniques of water-based Tempera are incorporated in the drawing process. For example, the painting tools include a small wolf hair brush, which shapes the shape of the diluted pigment like a sketch.

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