Schilderij getiteld "Two Hunters with Bu…" door Heinz Sterzenbach, Origineel Kunstwerk

Two Hunters with Bull 3 (1997) Schilderij door Heinz Sterzenbach

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Origineel Kunstwerk Schilderij,

Classificatie van kunstwerken

Origineel Kunstwerk

Originele kunstwerken zijn elk werk dat als authentiek wordt beschouwd en geen kopie of imitatie van het originele werk van een kunstenaar. Originele kunstwerken kunnen elk type schilderij, beeldhouwwerk, performance of andere media zijn. Er zijn veel soorten originele media. Gemengde media zijn onder meer olie-, acryl- en aquarelverf. Voor werkplaatsschilderijen die getuigen van vakmanschap moet deze toeschrijving genuanceerder zijn. Hoewel ze om verschillende redenen misschien minder waardevol zijn, hadden de reproducties en kopieën een enorme impact op onze ervaring. Ze bereiken een breder publiek dan de originelen en werken als een tonicum tegen commodificatie. Het oorspronkelijke werk zou ook kunnen verwijzen naar het eerste werk, dat altijd voorafgaat aan alle andere. Het kan ook verwijzen naar een prototype of een model waaruit andere werken kunnen worden gemaakt. Elk werk vertoont grote overeenkomsten met het origineel.
Dimensies Hoogte 9in, Breedte 13in
Categorieën Schilderijen onder US$ 500

Two Hunters with Bull 3, Watercolor/Indian Ink, 9,3x13,4 inch, 1997, 150 Euro. From the Series "African Impressions". The series African Impressions developed in a workshop in Umbria - two years after my Kenya journey (1989) and the continuation of the series of 1997 developed in my studio in Alt-Heiligensee. The contacts with the Massai people living in Kenya inspired me to this series, whereby it was clear to me that the Massai does not hunt bulls. The Massais are herdsmen, who hold cattle, sheep and goats, donkeys serving them as load animals. Most Massais follow still their traditional way of life. After the children the cattle are the most important in their life, because they believe that the God Enkai gave them to them. Only a Massai of averagely abundance, who has at least 50 cattle, is however regarded as rich, even if he has children. The animals are slaughtered, with exception with special ceremonies, rarely because of their meat. Instead they supply the Massai with everything they need for their daily life: Milk and blood for nutrition, skins for sleeping and for sandals, finally they serve also as payment means for the dowry or for the repayment of a punishment. The slim, high-grown Massais have me strongly impressed and probably therefore emerges it a few years later representative into my pictures. In addition I have been inspired from the Japanese pen-and-ink drawing. So I "threw" the "warrior" with black ink in an impulsive, fast momentum on a handmade paper painted with several layers of watercolors, whereby movement came into the pictures. The developing process of the African Impressions, in addition, their formal expression reminds of East Asian mark traditions and the cave painting of the Cro Magnon time. The red hood is more a free invention of me, in order “to put the lid on the picture” and to set a prominent point in the picture. The bulls in my pictures remind of the rites of the Massai: no Massai ceremony takes place without a bull, ox or a cow, since the blood of the animal plays an important role: While the head is held, one opens the neck vein with a arrowhead or shoots at the animal with an arrow (the arrow is prevented from the complete penetration by a strangulation). If the blood is caught, the vein is locked again with a plug from dung and loam. In addition, the blood is mixed normally with milk, drunk sheerly by warriors, women after relieving or by freshly circumcisions. If you want to see more pictures of the series African Impressions please click on the following link:
shop-com/openstore_com_2.htm?401001_040_E
Unfortunately this artwork was stolen in my exhibtion in the gallery of the townhall of Berlin-Zehlendorf (from 6.10.07 - 29.10.07).

Verwante thema's

Animals Two Hunters With Bull 3

Heinz Sterzenbach

Duitsland

Curriculum Vitae of the artist 1941 Heinz Sterzenbach born in Marialinden in Rheinisch- Bergischer Kreis. [...]

Curriculum Vitae of the artist

1941 Heinz Sterzenbach born in
Marialinden in Rheinisch-
Bergischer Kreis.
Influenced by his parents
(mother: musician, father: painter, teacher)
1958 - 1961 Apprenticeship as an electrician in a paper factory;
1961 - 1963 Technician /Electrotechnician ;
1963 - 1966 Engineer-studies in Cologne with Master`s degree in
engineering, Cologne
1966 - 1969 Working as an electric engineer
in Paris. In free time painting of landscapes in
oil on canvas and drawings of "Paris types"
1969 - 1972 Commercial and Technical manager in Berlin;
1972 Product manager in Düsseldorf;
1972 - 1976 Art- and Pedagogical studies at Pedagogic High School
in Berlin (PH, now HdK) with second degree of state;
1976 - 1998 Probationer, Professorship of French language;
1980 - 1998 Living and working as teacher (Art and French)
on the island Scharfenberg on Tegel Lake, Berlin.
Various travels to Italy, France, USA, Ireland,
Canariy Islands, Sinai, Egypt, Greece, Turkey,
Kenia, Sri Lanka, Russia, Scandinavia Coutries, Poland,
Brasil, Caribian Islands, etc;
1988 - 1992 Participation at the Cultural Workshops of the
"Bund Deutscher Kunsterzieher"(BDK)
("Association of German Art teachers") in Umbria / Italy
Since 1989 Collaboration with the Circle "Decentral Culture Work"
in Berlin-Reinickendorf
Since 1990 Collaboration and 2. chairman of the group
"Berliner Architekturmaler" ("Berlin Architectur art Painters")
Since 1991 Own Studio in the former tram depot of
Alt-Heiligensee 73-75
Since 1997 Gallery Sterzenbach Internet ""

Memberships:

1974 - 1994 Member of the "Neue Gesellschaft für Bildende Kunst"
(NGBK) ("New Society of Art");
Since 1974 Member of the "Bund Deutscher Kunsterzieher" (BDK)
("Association of German Art teachers");
Since 1993 Member of the "Berufsverband Bildender Künstler(BBK)
("Professional Association of Artists");