Added Feb 2, 2020
When I was 16, in 1970, my secondary school art teacher took me to see an exhibition of work by the German anti-war artist, John Heartfield, at Newcastle University’s Hatton Gallery, in the NE of England. The exhibition left a lifelong impact on my thinking about the importance of art as a means of communicating concerns about political developments that have the potential to lead to conflict and social unrest.
At the time of writing, I am 65… approximately 50 years on from the John Heartfield exhibition I saw as a teenager. Still fresh in my memory - Heartfield's works appeared as profound, apocalyptic and poster-like compositions.
I spent 30 years working in colleges… 20 years as a lecturer and Head of Art, Design & Media and 10 years as a Marketing Manager. I left the education sector and ran my own successful Branding & Marketing Business for 10 years. For the past 5 years, I have been making artworks every day.
My preoccupation is always concerned with the message, meaning and the ongoing development of my own pictorial language.
During the past three years, the political landscape in the UK (re BREXIT) and USA (re Trump), and elsewhere, seems to me to have undergone a significant shift to the right. With populist politicians strategically presenting contrived, accusative, provocative and distorted bite-sized phrases that are essentially emotive, manipulating and pandering. These messages are the essence of today’s ‘climate of ideas’ and have Nationalist appeal. My response has and continues to be one of making artworks, often remaking, re-modeling and re-populating ‘Old Master’ painting compositions to present oblique and, at times, humorous or ambiguous narrative and comment on, for example, President Trump’s extremely odd, self-caricatured appearance and behavior. His use of language, his spitefulness (etc) - all point to a potential for extreme outcomes… AND… the politicians responsible for the disharmony and fracture that is self-evident in the UK because of the whole BREXIT process, which could ultimately have a seriously damaging impact on the UK’s economy and social cohesion.
View 600+ artworks organized in themed collections - click on individual works to view large: http://www.coldwellandcoldwell.co.uk/...
All f my digital paintings are capable of large scale print production onto a range of surfaces i.e. size up to an beyond 2M x 2M