Composite #4 (2016) 摄影 由 Giordano Biondi
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该作品是“开放版”
摄影,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 分类 摄影作品 低于US$1,000 形象艺术
These images convey a sense of either implosion or explosion of the elements that form these indefinite life-forms, that resemble organs, microscopic organisms, bacteria, underwater creatures or visions. They might be captured in the process of consolidation, tightly wound and in the process of engulfing themselves, or perhaps unraveling into single parts drifting away from each other. Rather than imitating pre-existing forms, these mysterious elements are in a constant process of generating themselves into something new, always indefinite, complete and incomplete at the same time. Floating in a vague three-dimensional space or in darkness, they can either live in abstraction or in real life, at a microscopic or macroscopic level. They might be clots of formations of thought or dream, or growths and mutations within a physical body. They are long gone in physical reality; the scrap material that gathered to give them shape thrown away and dissolved in the world. They float impassive and silent in the formaldehyde image, testament to either extinct thoughts or living forms.
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Giordano 是墨尔本的意大利裔澳大利亚视觉艺术家。他就读于威尼斯 IUAV 大学的视觉艺术和戏剧,并在墨尔本 RMIT 完成了公共空间艺术硕士学位。他于 2011 年在威尼斯 Forte Marghera 的一个群展中开始了他的艺术实践,并从那里参加了许多展览,包括 Fort Delta、D11、MYM 艺术空间等私人画廊,以及卡尔顿的意大利博物馆等机构,旧墨尔本监狱,CERES 环境公园,科堡。他参加了土耳其、德国和中国的艺术家驻留项目,制作了个人和合作公共艺术装置,并在墨尔本、威尼斯、佩鲁贾和米兰策划了群展。他的艺术实践基于对建筑和景观元素的反思,这些元素定义和扭曲了对公共空间的个人和集体使用的看法。佐丹奴处理虚构和真实环境之间的紧张关系,对模糊我们体验或想象景观的本质的“面纱”或过滤器特别感兴趣。