Gill Bustamante
현대 영국 화가인 길 부스타만테(Gill Bustamante)는 자연의 경이로움에서 영감을 받아 캔버스에 그린 커다란 반추상 유화에 생명을 불어넣는 독특한 예술성으로 유명합니다. 광활한 반추상 풍경, 바다 풍경, 야생 동물 그림 제작을 전문으로 하는 Gill은 아르누보, 인상파, 반추상 기법과 전통 초상화를 완벽하게 혼합한 독특한 스타일을 만들어냈습니다. 그녀의 예술적 비전은 자연, 동물, 새, 그리고 그녀를 둘러싼 풍경을 우아하게 만드는 풍부한 동식물에 대한 깊은 사랑에 깊이 뿌리를 두고 있습니다.
Gill의 창작 과정의 핵심은 그녀가 '기억 인상주의'라고 부르는 방법입니다. 이 접근 방식에는 자연에 몰입하고, 산책을 하며 풍경의 본질을 관찰하고 흡수한 다음, 작업실로 돌아와 그 경험을 캔버스로 옮기는 것이 포함됩니다. 그 결과 그녀가 탐험하는 장소의 울림과 본질을 포착한 예술 작품 컬렉션이 탄생했으며, 여기에는 산책 중에 만난 야생 동물도 포함됩니다. 이러한 독특한 방법을 통해 Gill은 이러한 장소에 대해 자신이 갖고 있는 감정과 인상을 전달할 수 있으며 시청자에게 그녀가 자연 세계와 공유하는 심오한 관계를 엿볼 수 있게 해줍니다. Gill Bustamante의 예술적 초점은 영국의 고대 풍경으로 확장되며, 그녀의 그림은 그러한 존경받는 지역에 내재된 영적 요소를 자주 반영합니다.
Gill Bustamante의 현대 미술 작품을 발견하고 최근 작품을 찾아보고 온라인에서 구매하세요. 카테고리: 현대 영국 예술가. 예술적 영역: 미술작품. 계정 유형: 아티스트 , 2014 이후 회원 (원산지 영국). ArtMajeur에서 Gill Bustamante님의 최신 작품 구매: 현대 예술가 Gill Bustamante의 멋진 예술 작품을 만나보세요. 예술 작품을 탐색하고 원본 예술 또는 고급 인쇄물을 구입하십시오.
아티스트 가치, 전기, 예술가의 스튜디오:
Large Landscapes & Seascapes paintings in Oil on Canvas by Gill Bustamante • 241 작품
모두보기판매된 작품 • 192 작품
Gill Bustamante
캔버스의 기름 | 40x40 in
인식
아티스트는 상과 상을 수상했습니다.
편집진이 아티스트의 작품을 주목했습니다.
예술가라는 직업을 주 활동으로 발휘
전기
현대 영국 화가인 길 부스타만테(Gill Bustamante)는 자연의 경이로움에서 영감을 받아 캔버스에 그린 커다란 반추상 유화에 생명을 불어넣는 독특한 예술성으로 유명합니다. 광활한 반추상 풍경, 바다 풍경, 야생 동물 그림 제작을 전문으로 하는 Gill은 아르누보, 인상파, 반추상 기법과 전통 초상화를 완벽하게 혼합한 독특한 스타일을 만들어냈습니다. 그녀의 예술적 비전은 자연, 동물, 새, 그리고 그녀를 둘러싼 풍경을 우아하게 만드는 풍부한 동식물에 대한 깊은 사랑에 깊이 뿌리를 두고 있습니다.
Gill의 창작 과정의 핵심은 그녀가 '기억 인상주의'라고 부르는 방법입니다. 이 접근 방식에는 자연에 몰입하고, 산책을 하며 풍경의 본질을 관찰하고 흡수한 다음, 작업실로 돌아와 그 경험을 캔버스로 옮기는 것이 포함됩니다. 그 결과 그녀가 탐험하는 장소의 울림과 본질을 포착한 예술 작품 컬렉션이 탄생했으며, 여기에는 산책 중에 만난 야생 동물도 포함됩니다. 이러한 독특한 방법을 통해 Gill은 이러한 장소에 대해 자신이 갖고 있는 감정과 인상을 전달할 수 있으며 시청자에게 그녀가 자연 세계와 공유하는 심오한 관계를 엿볼 수 있게 해줍니다. Gill Bustamante의 예술적 초점은 영국의 고대 풍경으로 확장되며, 그녀의 그림은 그러한 존경받는 지역에 내재된 영적 요소를 자주 반영합니다.
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국적:
영국
- 생년월일 : 1962
- 예술적 영역: 전문 예술가들의 작품,
- 여러 떼: 전문 아티스트 현대 영국 예술가

지속중인 그리고 다가오는 예술 행사
영향
교육
아티스트 가치 인증
업적
ArtMajeur에서의 활동
최신 뉴스
현대 예술가 Gill Bustamante의 모든 최신 뉴스
This is a video of the finishing touches on an equine painting by Gill Bustamante. It is probably the most boring video ever uploaded unless you are a painter or a student of Gill's or like to understand more about the process of painting in oils. Note that Gill is better at painting than she is at making videos.
A step by step portrait demonstration of a black dog being painted in watercolour by Sussex artist, Gill Bustamante. Gill paints animals, landscapes and seascapes in oil on canvas as well as drawings and watercolours. For more info on see: www.gillbustamante.com
An oil painting demonstration by Sussex artist, Gill Bustamante painted in a vibrant, bold, colourful Expressionist, Impressionist style over a period of three weeks. A good example of a conceptual painting, executed from memory rather than photographs in order to better capture the emotion of the scene rather than photographic accuracy.
A step by step demonstration of giraffes being painted in oil on canvas in an expressionist, impressionist, impasto technique by Sussex artist Gill Bustamante.
A speeded up demonstration of wet-into-wet oil painting of scarlet macaws in the jungle by Gill Bustamante - Artist and Art tutor. Painting style is impasto, impressionist-expressionist. More at www.gillbustamante.com
Creativity and Survival - by Gill Bustamante – Artist
As an artist and art tutor I have long realised how important creating something is to state of mind. And by ‘creating’ I don’t just mean painting, writing, music, etc - I mean any form of creation. A well made bed is a creation to a chamber maid, cars parked correctly are a creation to parking attendant, a pile of mud is a creation to a child. In fact, everyone creates and everyone should.
Why? – Because you’ll go mad if you don’t.
If you live among civilised people, you are continually obliged to follow rules. You have to stick to speed limits, you have to park carefully, you have to be polite, you have to follow fashion, you have to go to work and do what is asked of you, you have to know what time it is all the time so that you can do all the stuff you are meant to do every day. You have to be nice to people even when you want to slap them, you mustn’t swear, you must pretend to enjoy weddings and so on. There is nothing wrong with this – it is the only way the human race survives. However, it is unhealthy if you never get the chance to do things YOUR way.
Artists are lucky – they create images, music, prose etc to make something that pleases them and them alone - and that does not have to ask permission of anyone. Where else in life does one have the chance to create worlds as they would have them?
My favourite form of creation is painting. A good painting has promise and mystery and the possibility of being a doorway out of one space and into another. A good painting emotes and invites and delights the viewer and can change state of mind just by looking at it.
When I was 12 I read ‘A Picture of Dorian Gray by Oscar Wilde in which Dorian gets his portrait painted and then puts it in the attic once he realises it is ageing and corrupting instead of him. He then proceeds to misbehave and over indulge in all things without apparently ageing or getting messed up because the painting suffers the damage instead. WHY CAN’T I DO THAT????
I know I can’t because the self-portrait I did when I was 19 still looks young and beautiful and a size 12. (sigh…) However, I love the idea of a painting coming to life and this is what I try and make my paintings do. I also remember reading a scary story where people kept disappearing from ‘real life’ and reappearing in a haunting landscape painting of mountains and dark forests and strange log cabins. I want to be able to do that (as long as I get to choose the venue because I’d hate to appear in a Francis Bacon painting).
Both these stories made me realise that the reason I like painting is the possibility of magic. I usually paint things I can’t have. It is my way of being able to have them. I can’t have a tiger for practical reasons but I can have a painting of one. I can’t have Arabian horses or anything with fur because I’m allergic to them. I can’t have a beautiful villa, a Lamborghini and my own Caribbean Island because I am rubbish at making money. But I can have paintings of them.
The paintings which most inspire me by others have this quality of allowing me to step into them, or have the subject step out of the picture. One of my favourite paintings is ‘The light of the World’ by William Holman Hunt. It is a painting of Jesus knocking on the door of an old cottage in a wood. Even though I am not a Christian – it is impossible not to be moved by a desire to step into the painting and open the door for him. This is the power of painting. Most paintings around in the world right now do not appeal to me. But when one does it is like a siren pull. Even Mark Rothko paintings – as abstract as one can get – have the allure of ‘this may be a doorway to another world’ in them. I like that.
So why is being creative so therapeutic? Because we all need a universe that plays by our rules and not someone else’s and because is the only way to not go nuts – deep huh?
Gill Bustamante B.A. – Artist and Art Tutor, Sussex.
I paint large contemporary oil paintings of woodland scenes, trees, landscapes, animals, seascapes, underwater paintings, tropical fish and koi fish. My oil canvases are affordable and impressionist/expressionist and slightly art-nouveau in style. My favourite artist apart from myself is Gustav Klimt. I use thick (impasto) paint on 3D – deep edge canvas. I did my art foundation course at Chelsea and my fine art degree course at Brighton completing in 1982.
I am not arty, deep, mysterious, messed up, young, ‘emerging’ or remotely likely to get famous – I just like painting. I am inspired by music, cake and practically anything I look at. I plan to pretend I am dead at some point in order to sell more paintings.
Although I mostly sell the art listed in my portfolio, I also accept commissions to paint animal portraits, landscapes etc. See my ‘COMMISSIONS’ gallery for details On my Website – www.gillbustamante.com
Like many artists I sometimes describe myself as an ‘award winning artist’ for PR reasons. It is true but I rarely mention what the awards were so in the interest of integrity, here are my awards:
a) When I was 4 and in a convent school I won the ‘best painting of an angel’ competition. I won a handkerchief and a plastic flower.
b) When I was 9 I came first in a local painting competition for painting a picture of my house. It was a surprise as I had chucked it away a few weeks earlier when I got cross with it – not knowing my Dad had found it in the bin and entered into the competition. I still have the photo that was in the local paper of me looking simultaneously stupid, pleased and disgusted as the Mayor gave me my prize. I won a £5 book token.
c) When I was 11. I became the proud owner of a Blue Peter badge which I won for painting an underwater scene in a competition in 1979. I won a plastic badge with a boat on it.
d) When I was 37. I won an award for best wildlife painting in an on-line competition where people voted for best painting. I never got my prize as the website went down a week later.
e) When I was 48. I won first prize in the Danehill Art Fair. I won £250 (yay – an actual prize!)
That was possibly the best my illustrious competition winning career is going to get but at least I can genuinely call myself ’award winning’ – impressive eh?

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