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Liberty Statue Glitch (2014) 绘画 由 Gabriella Parisi
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原创艺术品 (One Of A Kind)
绘画,
丙烯
/
墨
在帆布上
- 外形尺寸 高度 39.4in, 宽度 27.6in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 表现主义 几何
In Liberty Statue Glitch, artist Gabriella Parisi explores the profound significance of memory—both personal and collective—as an invaluable heritage. Memory has the power to detach us from the relentless flow of time, allowing us to process the deeper meaning of experience and make sense of past events we have witnessed or lived through.
At the heart of the artwork is a vision of New York City featuring the Statue of Liberty. Rendered with loose, gestural brushstrokes that only suggest its form—almost as if it is about to fade away—the statue appears in vibrant, unreal colors. Rather than depicting reality, the image evokes an inner, emotional vision, resembling a fleeting flashback. The memory it embodies seems to waver between despair and salvation, pain and joy, dawn and dusk, destruction and rebirth.
This interior vision persists even as abstract elements at the top and bottom of the canvas appear to dissolve everything. These abstract marks, created with painted cardboard rectangles in a collage technique, draw inspiration from Glitch Art, disrupting the composition. Meanwhile, the background consists of expressive black ink brushstrokes on a stark white canvas, intensifying the contrast.
Through this work, Parisi prompts reflection on the idea that memory is our most precious and intangible asset—the only force that connects us across time and, most importantly, to one another. It is memory that helps us navigate the challenges and hopes of contemporary reality with greater awareness.
Gabriella Parisi is an independent and eclectic artist working across various fields of contemporary visual arts: painting, sculpture, photography, cinema, 3D and digital art.
Her deep passion for research, art, technology and internationalization, has led her to engage with increasingly challenging and complex environments, such as the dynamic and inspiring cultural melting pot of New York City and the ever-evolving field of Information Technology.
Gabriella was considered a child prodigy in art and by the age of five, she preferred painting and drawing inspiration from Picasso’s Blue and Rose Period rather than playing with dolls. Her first collectors and supporters were her teachers, at the classical high school, who recognized her talent.
She trained in Scenography under Nicola Giuseppe Smerilli, a former student of Renato Guttuso and an internationally renowned photographer.
She graduated from the Academy of Fine Arts in Rome with top honors, with a score of 110/110 cum laude, completing an experimental thesis in interactive art on the famous Italian artistic group Studio Azzurro. The art of Studio Azzurro is permanently exhibited at the Vatican Museums with the Studio Azzurro Room, close to the great works of Michelangelo. Gabriella further expanded her expertise in Multimedia Art at the Museum of Modern Art (MoMA) in New York City, studying under the mentorship of American multimedia artist Randall Packer.
In 2011, Gabriella contributed to the development of Italian Game Art with Over Game, manifesto on Neoludica, which she directed and produced. Her short video art film was featured at the 54th International Art Exhibition, La Biennale di Venezia, Collateral Events.
Gabriella Parisi has participated in international exhibitions and projects supported by private galleries, public institutions, and museums.
Gabriella is an artist who loves experimenting with different artistic techniques. Elements derived from alabaster and marble, for instance, are combined in her works with the ancient encaustic painting technique, enhancing the expressive power of light and color to capture the infinite poetic possibilities of matter.
When it comes to her digital and video art, Gabriella Parisi draws from her solid background as a director, filmmaker, and special effects artist. This expertise allows her to craft original works that transcend form, emphasizing the power of color as it generates shapes and emotions.
Her sculptural works, on the other hand, are inspired by abstractionism and minimalism, with references to Gabo’s sculptural art, through a technical virtuosity rooted in the theories of quantum physics, the abstract imagery of 3D design, and the wireframe network.
Her art is a work in progress that aims to capture the impermanence of both the physical and virtual worlds, where certainty and personal stability fade at the edges of new symbols, uncertainties, and paradigms shaped by technological challenges.
