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Alexander the Great in vitro (2014) 绘画 由 Gabriella Parisi
让我们知道您是否想看到这件艺术品的更多照片！
- 工作的背面 / 工作的一面
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-
原创艺术品 (One Of A Kind)
绘画,
丙烯
/
墨
在帆布上
- 外形尺寸 高度 39.4in, 宽度 27.6in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 表现主义 历史
Rooted in classical foundations, this figurative piece then erupts into a highly personal and emotional interpretation, deconstructing both form and meaning. At times, its inspiration seems to echo the artistic approaches of Van Gogh and Picasso, yet it forges its own path through vivid colors and bold, almost violent brushstrokes, influenced by Expressionism and Fauvism.
Hints of computer art also emerge in the more structured, less gestural areas of color, adding another layer of complexity.
The artist reimagines Alexander the Great in all his humanity and vulnerability, portraying him as if tormented—trapped by the weight of his own greatness. She captures a fleeting glimpse of his inner world, contemplating and reshaping it through her own artistic sensitivity.
Gabriella Parisi is an independent and eclectic artist working across various fields of contemporary visual arts: painting, sculpture, photography, cinema, 3D and digital art.
Her deep passion for research, art, technology and internationalization, has led her to engage with increasingly challenging and complex environments, such as the dynamic and inspiring cultural melting pot of New York City and the ever-evolving field of Information Technology.
Gabriella was considered a child prodigy in art and by the age of five, she preferred painting and drawing inspiration from Picasso’s Blue and Rose Period rather than playing with dolls. Her first collectors and supporters were her teachers, at the classical high school, who recognized her talent.
She trained in Scenography under Nicola Giuseppe Smerilli, a former student of Renato Guttuso and an internationally renowned photographer.
She graduated from the Academy of Fine Arts in Rome with top honors, with a score of 110/110 cum laude, completing an experimental thesis in interactive art on the famous Italian artistic group Studio Azzurro. The art of Studio Azzurro is permanently exhibited at the Vatican Museums with the Studio Azzurro Room, close to the great works of Michelangelo. Gabriella further expanded her expertise in Multimedia Art at the Museum of Modern Art (MoMA) in New York City, studying under the mentorship of American multimedia artist Randall Packer.
In 2011, Gabriella contributed to the development of Italian Game Art with Over Game, manifesto on Neoludica, which she directed and produced. Her short video art film was featured at the 54th International Art Exhibition, La Biennale di Venezia, Collateral Events.
Gabriella Parisi has participated in international exhibitions and projects supported by private galleries, public institutions, and museums.
Gabriella is an artist who loves experimenting with different artistic techniques. Elements derived from alabaster and marble, for instance, are combined in her works with the ancient encaustic painting technique, enhancing the expressive power of light and color to capture the infinite poetic possibilities of matter.
When it comes to her digital and video art, Gabriella Parisi draws from her solid background as a director, filmmaker, and special effects artist. This expertise allows her to craft original works that transcend form, emphasizing the power of color as it generates shapes and emotions.
Her sculptural works, on the other hand, are inspired by abstractionism and minimalism, with references to Gabo’s sculptural art, through a technical virtuosity rooted in the theories of quantum physics, the abstract imagery of 3D design, and the wireframe network.
Her art is a work in progress that aims to capture the impermanence of both the physical and virtual worlds, where certainty and personal stability fade at the edges of new symbols, uncertainties, and paradigms shaped by technological challenges.
