Intellectual Property & The Art of Hanging (2019) Arts numériques par Gordon Coldwell
Cette impression est disponible en plusieurs tailles.
Vendu par Gordon Coldwell
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Vendu par Gordon Coldwell
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Ce travail est une "Open Edition"
Arts numériques,
Giclée / Impression numérique
- Dimensions Plusieurs tailles disponibles
- Plusieurs supports disponibles (Papier d'art, Impression sur métal, Impression sur toile)
- Encadrement Encadrement disponible (Caisse américaine + sous verre, Cadre + sous verre acrylique)
- Catégories Pop Art
Perhaps a list of what is what might help:
Velazquez plays a significant role in the piece... he is all four of the porters pictured holding the framed painting of the King of Spain on horseback. Each porter is a Velazquez self-portrait made at different stages of his life. The king has actually been replaced by my own self-portrait. The invented figure to the right of the dog is a reborn Velazquez. The angelic child at the top and center of the work is, in fact, part a Caravaggio angel and part a portrait of one of the king's children. The female figure with the palette is representative of the artistic muse and the search for perfection. Behind her is my own reworking and repopulating of Velazquez's famous Las Meninas painting. Art About Art
Thèmes connexes
Background
I was born in Newcastle Upon Tyne (UK) in 1954. My mother was Dutch and could draw well. Both of these facts are significant in terms of influences and experiences.
As a teenager, my summer holidays were spent in the Dutch seaside town of Scheveningen (my mother’s birthplace). We would stay with my grandmother and visit relatives... great uncles who collected stamps and painted everyday objects in the style of 17th-century artists... an uncle who was a graphic designer. They had landscape and still life paintings on their walls.
Scheveningen is close to the Hague and Amsterdam an easy train journey away. Both places have world-famous art galleries that I visited with a Dutch cousin. To this day, my experience of seeing Vermeer’s Girl with a Pearl Earring and standing in front of Rembrandt’s The Night Watch has stayed with me.
My art teacher at secondary school was a graduate of Newcastle University. He had been taught by Richard Hamilton (Pop Artist) and Victor Pasmore (Formal Abstraction). We went to exhibitions at the University’s Hatton Gallery to see exhibitions of work by Kurt Schwitters (Merz/Dada Art) and John Heartfield (Anti Nazi Montage/Collage Art).
My work might broadly be described as ‘Art About Art’ - it is multi-layered in construction and in potential meaning.
Practice
I make my artworks by importing pictorial content into two kinds of image manipulating software, the composition is then constructed, developed and finessed digitally.
By fusing history with contemporary additions, I work with the iconic and the cultural, merging them to create new narratives. I quote from the art of the past so as to reinterpret a way of seeing and thinking that I associate with artists as disparate as Vermeer, Velasquez, Ingres, Manet, Duchamp and Richard Hamilton etc. My artworks are, in part, referential in their intent rather than simply appropriated or copied from masterworks. My imitation is a sincere form of flattery. In addition to explicit references, some may find humour in my alterations.
All of my artworks have the potential to be produced on a very large scale.
Abbreviated CV - Education and Career
Born Newcastle upon Tyne 1954
Bachelor of Education Hons Degree - Warwick University 1976
Art Teacher - Saintbridge School, Gloucester 1976-78
Art & Design Lecturer - West Sussex College of Design 1979-86
Head of Art, Design & Media - Bridgwater College 1987-1996
Marketing Manager - Bridgwater College 1996 - 2007
Owner of I More Than Brand - Marketing Business 2007-2014
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Nationalité:
ROYAUME-UNI
- Date de naissance : date inconnue
- Domaines artistiques:
- Groupes: Artistes Contemporains Britaniques
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