A leaf you won't blow away (2022) デザイン Faber Artisan によって

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$271.48
最大解像度: 528 x 731 px
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  • オリジナルのアートワーク デザイン, テーブルアート
  • 寸法 高さ 1.8in, 幅 26in
  • アートワークの状態 アートワークは完璧な状態です
  • カテゴリ デザイン $500未満 実例 舞台芸術
Insufficient space even to describe something that has three dimensions dictates that at least hire I add here the width of the tray - it's 23 cm. It is made of oak wood, and due to its shape it is almost entirely hand-processed and hollowed out using the burning technique. There is a belief that a doe that needs no description once passed by[...]
Insufficient space even to describe something that has three dimensions dictates that at least hire I add here the width of the tray - it's 23 cm. It is made of oak wood, and due to its shape it is almost entirely hand-processed and hollowed out using the burning technique. There is a belief that a doe that needs no description once passed by the oak, by tree while it was still growing in the forest, and once a nearby villager, deep in thought, tripped over its root and cursed bitterly.

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Unique Wooden TrayApplied ArtArt In Wood

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Why Faber Artisan?  Why homo faber, the man who creates, in the 21st century, when everything is allready created? Probably not because of earnings, there are countless easier, simpler and more lucrative[...]

Why Faber Artisan? 

Why homo faber, the man who creates, in the 21st century, when everything is allready created? Probably not because of earnings, there are countless easier, simpler and more lucrative ways to earn a bread, and this one is certainly not among those which make big money (you'll become a millionaire in it if you start as a billionaire). Then, certainly not to leave a trace, because almost everyone except masterpieces, and they are not necessarily spared, will be lost and disappear in the years ahead. 

But on the contrary, certainly because with the creation that is at hand, which is not a necessity, we set up the new limits of our own freedom, exclusively our own, in which we then comfortably and humanely understand the people around us, relationships and systems that form the reasons why both others are no better, but they so very might be. 

For the same reason pieces I make have a purpose, they are useful but I use the purpose as an alibi for (hopefully) artistic design. And because of a million reasons, I make only uniques. The main - each piece of wood is more unique than a human fingerprint or a sample of a cornea, and it pulls towards some self-given form. 

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