Memphis Blues (2014) 拼贴 由 Everett Spruill

拼贴在纸上, 22x28 in
US$1,143
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美术纸, 8x11 in

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Everett Spruill’s collage “Memphis Blues - David Edwards” is a vibrant tribute to the soulful essence of blues music. The artwork features an abstract representation of a musician, David Edwards, playing a guitar. The figure, silhouetted in black and wearing a hat, stands out against a dynamic background of geometric shapes and vibrant colors like [...]
Everett Spruill’s collage “Memphis Blues - David Edwards” is a vibrant tribute to the soulful essence of blues music. The artwork features an abstract representation of a musician, David Edwards, playing a guitar. The figure, silhouetted in black and wearing a hat, stands out against a dynamic background of geometric shapes and vibrant colors like brown, beige, blue, and red.

The composition captures the rhythm and emotion of blues music through its use of fragmented shapes and bold hues. The guitar, highlighted at the center, becomes the focal point, symbolizing the heart of the blues. The various patterns and textures in the background create a sense of movement and harmony, much like the improvisational nature of blues music.

This collage not only celebrates the musical culture of Memphis but also conveys the deep emotional connection and storytelling inherent in blues. Through color, form, and texture, Spruill brings to life the spirit of the blues, inviting viewers to feel the music’s power and passion.

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Everett SpruillJazzBluesCollagePainting

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An African American painter, photographer, and print-maker. Born Birmingham, Alabama USA. Everett Spruill attended Berea College, where he majored in Business. It was during this time that he painted watercolor [...]

An African American painter, photographer, and print-maker. Born Birmingham, Alabama USA. Everett Spruill attended Berea College, where he majored in Business. It was during this time that he painted watercolor paintings of landscapes and portraits in the tradition of the French Impressionist, but did not seriously entertain the idea of a career in the arts. While managing a Hotel in Miami, and with frequent visits to the Miami Museum, a Picasso exhibition changed his outlook as he was inspired by the simplicity and geometric patterns that formed the images. After relocating to Orlando, Spruill took up painting seriously and it was at this time that he created The "Old School Jazz and Blues" series of paintings and collages, inspired by the art of Romare Bearden. From that time on Spruill consistently created increasingly complex variations of art from recycled and re-purposed materials focusing on Jazz as a central theme. Spruill constantly challenges himself to source new materials and expand his resources. His first radical shift came in 1999, with the "Tribal Rhythms Series" in which he employs interlocking geometric shapes combined with graffiti techniques. It was around this time as well that he created his first prints in screen printing, linoleum cuts, and offset lithography. During the following decade, Spruill introduced texture into his art, which he came to call "Nuvo-stained glass" for its transparent qualities. From the mid-1990s to 2010, Spruill created a large body of work that responded in a general way to the childlike simplicity of creating art.  During this time, the increasingly abstract collages of Spruill's paintings gave way to a multitude of materials from electronic components, textiles, recycled wallpaper, and decorative architectural elements. To create these works, the artist uses recycled and repurposed materials and digital technologies. In 2017, Spruill began making wire sculptures and developing architectural projects. Still residing in Orlando Florida with his many accolades, Everett's prints and paintings are most famous for his work in the areas of collage and cubist abstraction. Spruill's work is in public and private collections worldwide, including The Kia Center - Orlando Fl. , Disney World, The City of Orlando, and The Media Institute to name a few.

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拼贴在帆布上 | 60x38 in
US$9,346

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