OPPOSITE SHORE (2024) Fotografia da Erkan Cerit

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  • Quest'opera è una "Open Edition" Fotografia, Schizzo / Stampa digitale
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  • Incorniciatura Framing disponibile (Cornice galleggiante + sotto vetro, Frame + Sotto vetro acrilico)
  • Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
  • Categorie Pop Art Paesaggio marittimo
Late created formations around Izmir consist of sandstone, shale and limestone blocks some of which may be larger than several kilometers. Such formations which are generally observed on hills around the region, are the main reasons for resistance on the hills. In addition to these, the community of neogen age can easily be estimated through the andesitic[...]
Late created formations around Izmir consist of sandstone, shale and limestone blocks some of which may be larger than several kilometers. Such formations which are generally observed on hills around the region, are the main reasons for resistance on the hills. In addition to these, the community of neogen age can easily be estimated through the andesitic compounds of volcanic origin, around Mount Yamanlar. Such units can be listed as silicon, aluminum, sodium, lava with magnesium content, tuff and tuff stuffed lava agglomerates. The lava also contains reddish brown and greenish gray large feldspar crystals. Neogen sedimentary rocks are made up of clay stone, sandstone and pebble stones at dept while being made up only of limestone on the top. At some places clay stone is observed on limestone layers. It is possible to say that ground resistance is satisfactory in regions covered with limestone on top, while ground resistance is low in regions which has thin layers of limestone intercalated with mud rocks.

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KarşıyakaIzmirShoreSahilİskele

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I have produced visual effects for national and international cinema and television productions for nearly 30 years. Over the years, I was very happy and encouraged to feel that the realistic or surreal designs[...]

I have produced visual effects for national and international cinema and television productions for nearly 30 years. Over the years, I was very happy and encouraged to feel that the realistic or surreal designs I created for the magical world of cinema were approaching artistic elegance.
In 2010, Turkey's first and still only true stereoscopic 3D cinema film, " Hell 3D" I worked as the stereoscopic 3D director and visual effects supervisor of the feature film. With this experience; I wanted people who have two eyes and have seen 3D throughout their lives to be able to experience this comfort in artistic works. I have been continuing my work on the subject of 2.5 dimensions since 2010. It would be possible to summarize the concept of 2.5 dimensions as an effort to add depth to two-dimensional artistic designs or to fit the three-dimensional universe into a frame... 
My experiences in image creation and imaging techniques; I try to reflect this in my photography, painting, digital painting and 2.5 dimensional sculpture works.

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