Givi Siproshvili

Siproshvili Givi Irakliyevich is a professional artist, painter, graphic artist, sculptor. The member of the Union of artists of USSR and Georgia. The member of the International Federation of artists (UNESCO)
The artist graduated from Tbilisi Academy of Arts by specialty of painting.
The artist’s painting is notable for originality, uniqueness, individuality and diversity of styles.
The painter was born in Georgia in 1940.
In 1964, he entered graphic arts department of Tbilisi Academy of Arts. A year later he moved to the painting department.
His teachers in the Academy of Arts were prominent artists such as Kornelli Sanadze, Koki Maharadze, Lapiashvilli, Ucha Japaridze.
Being a student in the Academy, he took part in many All-Union artistic exhibitions. The first exhibition of the young artist was in 1964, when there were several watercolor works shown. In 1965, he was the only young artist-student who presented five graphic works of art in Tbilisi professional artists’ exhibition.
In 1971, he graduated from Tbilisi Academy of Arts by specialty of painting.
Since 1974, he became the member of the Union of artists of USSR and Georgia.
Since 2000, he was the member of the International Federation of artists (UNESCO).

After graduating from the Academy of Arts he participated both in numerous republic exhibitions and All-Union exhibitions.
He was a winner in many competitions of different subject matters among the artists of Georgia and the former Soviet Union, where his works were taken to the fund of the Union of Soviet artists. In 1975, Givi Irakliyevich took part in Tbilisi competition with the topic ‘Creative people’, where he presented the composition ‘The portrait of the artist’ with the portrait of his friend, artist Edward Gukasov. This work was declared to be the best in this competition.
He participated in the exhibitions in Tbilisi in honor of the anniversaries of ending of the Great Patriotic war and in other numerous exhibitions.
For about 15 years he had neither presented his works nor taken part in exhibitions, because the collections of works which the artist was preparing for his 50th and 60th jubilee personal exhibitions, the pictures he had been creating for 10-15 years were stolen.
The latest exhibitions:
2002 – the exhibition in the White Gallery in Tbilisi
2005 – the exhibition in the Gallery of Arts in Tbilisi
2006 – the exhibition in the Gallery of Arts in Tbilisi
2008 – the second International Festival of Arts ‘Traditions and the present’ in Moscow
2008 – Exhibition «Theme of death in modern art» ENEA Moscow

Besides he took part in artistic exhibitions of other countries such as Germany, the USA, Poland, Czechia etc.
His works are notable for the diversity of genres and styles, such as painting, graphic art, portrait, landscape, still life, symbolic compositions. His creative trends are modern, abstractionism, impressionism, expressionism.
In his works he uses various painting techniques worked out on his own, different material and technologies of laying several paint coats.
The artist’s numerous works are in the private collections and museums in Russia, in the former Soviet republics, in the USA, Czechoslovakia, Poland, Germany, France and others.
The subject matter of his works was mostly influenced by ancient culture and history of Georgia. In his creative work he expresses his world view and life stand.

Why is it believed from time immemorial that Russian and Georgian people have so much in common? Nowadays when the relations between Georgia and Russia are minimized Georgia lives in hearts even of those who have never been there thanks to the artists and “northerners’ deep and burning passion for the south” as Alexander Benua, the artist and arts critic, wrote at the beginning of the  century.
Artists’ life is not a bed of roses, and the birth-year of Givi Irakliyevich Siproshvili – 1940 – speaks for itself, when he was a man of seventies, he had to move to Russia not because of love of move. Having grown up in the warm, bright and tender land of Georgia the artist does not separate himself from its culture, he is its part, the part both of the past and the present, he keeps to its moral principles, the high degree of his national temperament doesn’t change with years.
In view of unfortunate circumstances there are practically no works of the seventies – the beginning of the nineties, but the review of his paintings of the first decade of the XXI century gives a clear idea of his restlessness in art and life, his constant creative search for the way of Truth and Beauty. That is the artistic explorations of the wise man and mature master, which are by no means connected with tentative and chaotic self-search; in the master’s creative development, there is certain oriental all-sufficiency of the man belonging to the ancient culture.
His earliest works are ‘Spring. The Schoolgirl’, ‘The clown’, ‘The Echo’ which represent different pictorial and plastic manners, they can be symbolically called starting points of several artistic periods. In spite of the difference of aims, all these masterpieces are united by interaction of the space and figures, the space here is always intense and filled, and it seems to shape or carve the image itself. The space of the picture is forming, there are new opportunities of pictorial art concentrated, potential existence and development of form.
The palette of the artist can be both extremely bright (‘The first kiss’) and ascetic-moderate (‘The veterans’, ‘The refugees of Abkhazia’). In these works of art, the theme of which the artist himself gained through suffering, the earth and people are a single whole, indivisible flesh and blood, and when people leave or die they disappear in it, they stay in it forever. In the pictures by G.I. Siproshvili there are many details which are threads connecting the temporal and the eternal, the past and the future. His work of art ‘When the bell rings’ is poetic, sad and light, where the world beyond the clouds is attractive and shining, but much more shines a little ear from the field not letting the soul go away. ‘The death of Pirosmani’ is in itself a self-portrait as well as ‘The hunting. The self-portrait’, both are of the same kidney, bright and colorful.
The idea of self-portraying is represented in merely formal decisions such as ‘Anguish’. In a word, the distant past, the real world and the imaginary world surround the artist’s soul and become its imprint on the canvas. One of his anecdotal works ‘Judith’ is remarkably successful. The story from Old Testament, to which great artists have been adverting for many centuries, is interpreted in the keen and up-to-date manner, cum grano salis and at the same time with the veneration for all-conquering youth and beauty. The peculiar style of this work of art, the author’s painstaking work at colorful surface imparts thrilling charm of antiquity. The picture ‘In the apple-tree garden’ is a kind of original folklore parallel of ‘Judith’, it is also based on the theme of young and old age, impossibility of love and sweetness of sin.
The portraits by G.I. Siproshvili are a certain kind of poetic metaphors, but there is vital personal attitude, graphic accuracy and the space of mystery.
The small cycle of works which can be called ‘profiles’ (‘The doctor and the patient’, ‘The two’, ‘Einstein’) is comprehensive, complicated in style, notable for its pure laconic images with their philosophic depth and metaphorical character. However, there is a kind smile in these portraits as in works of any true Georgian artist, the smile which is given as a prize to the spectator who has solved the riddle of the portrait. The evidence of the transfer to the new level of figurativeness is the work of art ‘Adam and Eve’, where there is not just a plastic formula of love and existence, but also special insight and irradiation, trust in heaven, belief in that God will never leave His sinful children.
The artist’s eternal thirst is one for beauty. It is in a portrait, landscape, it is beyond the tangible world – in free flights, dreams, fancy, utopias. It is a cycle of the works with high degree of conditional character, the works that the author calls ‘Fantasies’. The composition with the title ‘Fantasies-19’, no matter whether it is an opening flower or shell, represents the creation full of dazzling opportunities as well as the intense pictorial structure on the canvas ‘The Galaxy’. The decorative still life ‘The red jug’ is earthly beauty of plain things through which goes the flow of ideal divine plan. The antithesis of these dreams and fantasies about perfection is ‘Apocalypse’, such a flower of evil, melting the earthly beauty into death and at the same time destroying deadly shackles. In this hearth the face of the artist can be seen and the features of his personages can be recognized.
The technical side of G.I. Siproshvili’s works astonishes with its diversity: somewhere there are large colorful planes laid with palette knife (‘Night butterflies’), somewhere there is a slow plastic dab modeling the shape (‘Vesper bell’). In some works the complex acinose texture with colored lining, relief imprints, harrowing is by itself precious and needs just an elegant touch of the brush for the birth of the image (‘The rest’, ‘The roses’). Many techniques are the unique author’s invention – as in ‘The Cahetian’, ‘The doctor and the patient’, ‘The two’. The author’s work at texture imparts peculiar value to his masterpieces.
No matter how interesting the technical devices may be, neither they nor handicraft side make G.I. Siproshvili’s painting the bright occurrence in fine arts. In his works, philosophic parables and life landscapes, fantasies and still life, there is thought, soul, bright emotional palette, and most of all love, without which the mystery of Art can not be born.
Irena Protopopova
arts critic, member of the union of artists of the RF

In 1971, he graduated from Tbilisi Academy of Arts by specialty of painting.
Since 1974, he became the member of the Union of artists of USSR and Georgia.
Since 2000, he was the member of the International Federation of artists (UNESCO).

His works are notable for the diversity of genres and styles, such as painting, graphic art, portrait, landscape, still life, symbolic compositions. His creative trends are modern, abstractionism, impressionism, expressionism.

In his works he uses various painting techniques worked out on his own, different material and technologies of laying several paint coats.

The latest exhibitions:
2002 – the exhibition in the White Gallery in Tbilisi
2005 – the exhibition in the Gallery of Arts in Tbilisi
2006 – the exhibition in the Gallery of Arts in Tbilisi
2008 – the second International Festival of Arts ‘Traditions and the present’ in Moscow
2008 – Exhibition «Theme of death in modern art» ENEA Moscow

Ближайшая выставка в Италии на базе проекта совместно русско-итальянской выставки "Maestro" в провинции Тоскана. Будет выставлено 22 работы.