"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Conceptual Art Flower
“It was the first days of June and I was in a field of poppies, I wanted to photograph the chromatic contrast between the red of the petals and the blue of the sky.
I lowered all the grass around and lay down to photograph one from below, with only the sky as a background, when a gust of wind moved the petals and the poppy turned into a butterfly.
My approach changed in an instant: the flower became “alive”, it assumed its own personality, made of soul and desires. It wanted to fly.
I remember thinking: poppies are born and die anchored to their stellum, they spend their lives looking at the sky without ever being able to reach it. So I decided to tell not only their desire but also the fulfillment of it.”
Related themes
Piero Leonardi nasce a Monterotondo nel 1957. Inizia a fotografare nel 1977
A partire dal 1981 intuisce il valore di una fotografia controcorrente e intraprende il proprio percorso di impronta sperimentale a seguito di assidue conversazioni con il maestro Tazio Secchiaroli.
Gli esordi artistici lo vedono impegnato in una collaborazione con gli scultori Attardi, Manzù, Martinez e Berrocal, di cui documenta e interpreta le opere, manifestando un personale interesse per l’indagine sulla materia e la forma plastica.
Negli anni seguenti affianca a un’intensa attività di scrittura e collaborazione editoriale, una ricerca fotografica di impronta concettuale. Giunge a teorizzare i principi fondanti di una epistemologia dell’operazione fotografica: Calligrafia Fotografica, Stile di Vista, e Fotografia Percettiva, sui quali, nel 2006, progetta e attiva un format didattico. Insegna come libero docente per condividere le sue idee e guidare gli allievi all’elaborazione di una personale scrittura visiva.
La Herbert Hoover School nel Maryland (USA) lo ha inserito in un elenco di fotografi da studiare per chi vuole intraprendere il percorso di fotografia creativa.
Ha esposto in numerose personali e collettive in Italia e all'estero.
E’ autore di varie pubblicazioni, non solo fotografiche. Ha collaborato con la rivista italiana Fotografare, con la storica e non più editata Fotocine80 e con il webmagazine statunitense ApogeePhoto.
-
Nationality:
ITALY
- Date of birth : 1957
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Italian Artists
