Seller Marian Cobos
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Paper
- Dimensions Height 8.3in, Width 11.4in
- Framing This artwork is not framed
- Categories Figurative
Je l'ai mis en valeur à l'encre de chine appliquée à la plume sur un fond d'aquarelle couleur sépia.
Le grand poète espagnol, Antonio Machado nous laissa un poème qui commence ainsi :
!Viejos olivos sedientos
bajo el claro sol del día,
Olivares polvorientos
del campo de Andalucía!
Vieux Oliviers assoiffés
Sous le franc soleil du jour,
Oliveraies poussiéreuses
Des champs de l'Andalousie !
Antonio Machado
Like all those who love Art, my penchant for beauty created in me the need to express myself in one way or another from a very young age by drawing with everything that came to hand. .
As a teenager I drew with a lead pencil but without ever picking up a brush. It wasn’t until I was 30 that I started painting in oils. As an autodidact, I copied from nature, photos or paintings and this is how I arrived, around ten years later, to discover the earth completely by chance!! Touch the material, model it, create in three dimensions. It was a real revelation: the transition from plan to volume produced no problem for me, I would even say that I discovered the technique which adapted most naturally to my needs for expression.
I attended several courses with sculptors to acquire some basics and since then, when circumstances allow me, I take immense pleasure in modeling, without leaving painting and especially drawing human or animal portraits in pastel. I also made forays into watercolor, which is still very difficult for me to master but whose transparency and spontaneity I love.
In parallel with all this, I had the enormous chance to learn and practice for two years in Seville, the reproduction of ceramic panels painted using Arab-Andalusian and Portuguese techniques, in the workshop of one of the greatest Andalusian ceramists.
I also created murals and decorative painting on glass in imitation stained glass.
`
- Nationality: FRANCE
- Date of birth : 1947
- Artistic domains:
- Groups: Contemporary French Artists