Key Takeaways
- Emi Kusano is a pioneering artist in the field of AI art, pushing the boundaries of the creative frontier.
- Her work has been featured in prestigious auctions like Christie's and Gucci.
- Kusano's experience in street photography has influenced her AI art creations.
- She uses large-scale AI models like MidJourney and Stable Diffusion in her artwork.
- Kusano's work involves creating new pieces based on her imagination, with influences from her childhood interests and cultural experiences.
- Her solo exhibition titled COGNITIVE CHAOS took place at EXPANDED.ART in Berlin, focusing on Japan in the 1970s.
The world of art has embraced a groundbreaking publication dedicated entirely to artificial intelligence-generated art. The AI Art Magazine, a 176-page biannual release, has made its debut, aiming to document and celebrate the fusion of human creativity and intelligent machines. Publisher Mike Brauner describes it as a “vital chronicle of this transformative moment in art history.”
Celebrating the Fusion of Human and Machine Creativity
The magazine's mission is clear: to capture and preserve the intersection of human ingenuity and AI evolution. Its website highlights this vision, stating it aims to “freeze the moment of art in a tangible printed form while AI is evolving rapidly.” The Hamburg-based creative studio polardots.studio and Christoph Grünberger, author of The Age of Data: Embracing Algorithms in Art & Design, played key roles in bringing this project to life.
According to the magazine’s team, the publication features “remarkable works and accompanying essays that set the benchmark for today’s AI-generated art.” From bold visual experiments to refined conceptual pieces, The AI Art Magazine pushes the boundaries of this rapidly evolving field. Brauner calls the magazine an invitation to explore the creative synergy between humans and machines: “We’re throwing the doors wide open… let’s dance.”
Independent and Advertisement-Free
Priced at €22, the magazine maintains editorial independence by being entirely self-funded. This approach ensures complete creative freedom, according to Brauner. While the first issue is free of advertisements, meaningful partnerships have allowed for customized editions distributed to collaborators and clients.
Spotlight on Emi Kusano and the First Issue
The inaugural issue’s cover features a captivating artwork by Japanese AI artist Emi Kusano, who shares insights about her practice in an exclusive interview. Kusano’s work symbolizes the publication’s dedication to exploring the depth of AI-driven artistry.
The magazine also includes a curated gallery of 50 works, selected through an international open call. The jury featured prominent figures such as Mexican graphic designer Adriana Mora and Xiaomi, an AI jury member. Each piece reflects the diversity and potential of AI-generated art.
Critical Reflections on AI and Creativity
Accompanying many of the selected artworks are essays written by jury members. Notably, American graphic designer David Carson contributed an essay titled “If someone gives a command to a machine, is that person then an artist?” This piece examines Kevin Esherick’s Somewhere in Michigan, showcasing the kind of critical engagement the magazine aims to foster.
The AI Art Magazine opens a new chapter in art history, blending cutting-edge technology with timeless creativity. By spotlighting the potential of human-machine collaboration, it invites readers to explore the boundless possibilities of this emerging art form. As Brauner says, “This is just the beginning – let’s celebrate this creative revolution together.”
Selena Mattei