Lease artwork "«Tango Of Gazes»" by Pavel Bunas with an option to purchase
Drawings by Pavel Bunas are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
“Master of Portraits That Breathe” (A Biography Written in Paint)
How a Blue Crow Gifted Me the Universe
At five years old, I drew a bird. Not just any bird—a blue crow on a scrap of wallpaper. My mother cried. Not from delight—she thought I was colorblind. But for me, it became the first lesson: art must stir a storm, even if it’s a hurricane of misunderstandings.
From then on, I never let go of my pencil. Dragons from children’s books, the faces of kindergarten teachers, clouds outside the window — I “digested” them all in sketchbooks like an alchemist seeking the formula for perfection. My parents gave up: at seven, I entered art school, where instead of primers, I studied Rembrandt.
Apprenticeship to the Rhythm of Commuter Trains
Glebovskoe School. Here, I discovered that people are the finest “landscapes.” Every morning, I rode to class in a packed train, turning the carriage into a laboratory. Passengers never suspected their wrinkles, smiles, and gestures were becoming sketches. I absorbed them like a sponge, then blended them with the ancient science of Ninsho-Goku — the art of face-reading practiced by Kyoto’s geishas. My secret? I don’t paint portraits. I decipher them.
— A wrinkle at the temple: the trace of sleepless contemplation.
— A spark in the eyes: an unspoken dream.
— Uneven lipstick: haste before an important meeting.
Teachers threatened expulsion for failing history but turned a blind eye when I exhibited portraits. “These aren’t paintings”, one said. “These are confessions”.
The Academy, or When Masterpieces Become Neighbors
At the Art Academy, I lived on two floors:
1. First floor — the studio, where I copied Vrubel and Serov. Sometimes, I felt the ghosts of masters standing behind me, nodding: “Don’t be afraid. Steal from us. But make it better.”
2. Second floor—reality. Exhibitions where strangers approached and said: “Paint my daughter. She’s gone, but I want her to live here.”
That’s when I understood: my paintings are not decorations. They are bridges between worlds.
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P.S. If you’ve read this far—you’re ready for a dialogue. Let’s create not just a painting — an artifact that will outlive us.
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Your artist,
Pavel Bunas
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Nationality:
BELARUS
- Date of birth : 1983
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Belarusian Artists
