Lease Collages by Nathalie Cuvelier Abstraction(S)

Lease artwork "Orange 7" by Nathalie Cuvelier Abstraction(S) with an option to purchase

Collages by Nathalie Cuvelier Abstraction(S) are available for lease with purchase option

Collages titled "ORANGE 7" by Nathalie Cuvelier Abstraction(S), Original Artwork, Collages Mounted on Aluminium
ORANGE 7 (2021)
Collages by Nathalie Cuvelier Abstraction(S) - 15.8x19.7 in
$541.91

Select your monthly installments:

Monthly installments
€46.1
Residual value
€14.93
Tax Savings
€170.72
Total Cost
€444
Monthly installments
€26.12
Residual value
€14.93
Tax Savings
€178.7
Total Cost
€463
Monthly installments
€18.92
Residual value
€14.93
Tax Savings
€194.09
Total Cost
€502
Monthly installments
€14.85
Residual value
€14.93
Tax Savings
€203.21
Total Cost
€525
* This is an indicative simulation only. A contractual proposal will be sent to you after study of your supporting documents and validation of your file by our financial partner.

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Frequently Asked Questions

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

More info

ORANGE 7 (2021)
Collages by Nathalie Cuvelier Abstraction(S) - 15.8x19.7 in
Collages titled "ORANGE 7" by Nathalie Cuvelier Abstraction(S), Original Artwork, Collages Mounted on Aluminium

About the author

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More than 40 years of abstraction(s)!   "Because as a child, a very colorful painting by Maurice Estève changed my way of looking at things and fed my imagination, I feel the need, through my[...]

More than 40 years of abstraction(s)!

 

"Because as a child, a very colorful painting by Maurice Estève changed my way of looking at things and fed my imagination, I feel the need, through my works, to retranscribe the emotional power of abstract art and to share the infinite joy it brings me."

 

Abstract painted collage, my infinite playground...

 

Immersed, as a child, in the very colorful universe of the abstract painters of Modern art, I had a very early need to realize, in the form of collages painted in oil, then in acrylic, compositions worthy of a "pure" painter. Small, very architectural formats, where flat work prevails, have thus appeared spontaneously. 

 

Since then, I create, from my feelings, associations of pictorial ideas stemming from the technique of "unconscious scanning" elaborated by Anton Ehrenzweig, and on repetitive musical background. 

My pictorial style thus plays with the musicality of dense and joyful compositions where color and forms, orchestrated like voices or instruments that respond to each other, reign supreme. 

My works on paper, which often use recycled materials, have become "floating" collages, in mixed media (paper / cardboard / PVC - acrylic / ink / chalk ...). Less formal compositions, dense and abundant, enlarged and tinted with fluorescent, which are freed to "unglue the paint" and "get out of the frame" in freedom. I don't necessarily center them, and I don't fix them entirely to play with shadows and light reliefs.

From the fragments of unstructured papers, seemingly insignificant, a rich and complex story is recomposed, an assembly of scattered memories that intertwine to, little by little, take on a new relief.

 

... to the colored ceramic sculpture

 

Since 2015, this call for volume and playfulness also leads me, like Henri Laurens in 1919, to work with clay. 

From cut clay plates, I assemble flat and shaped pieces that take on volume, or I model in the mass of sculptures then painted with acrylic, true 3D binomials of my paper collages. Often, abstract characters emerge from the earth without my knowledge, protagonists of imaginary playlets that hold the universe of childhood as an "enchanted merry-go-round", the exuberant and abundant worlds of mythology, baroque opera, lost civilizations ...

 

After having been centered for a long time on the saturation of forms and colors, my current research turns more towards the relations between the white and the color, the emptiness and the full, the noise and the silence. 

 

My objective?

To share, by revisiting it in a current, joyful and dynamic aesthetic, the marvelous abstract heritage that has guided my life, and above all, to awaken the inner child who is just waiting to express himself...

The Artist was highlighted in an article in Artmajeur Magazine:

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