Lease artwork "Le Déjeuner Électronique" by Daniel Schaub with an option to purchase
Paintings by Daniel Schaub are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Daniel Schaub, a contemporary French painter born in 1971 in Geneva, navigates the realm of art with a background and style shaped by a tumultuous youth immersed in the street culture, marked by violence and excesses that led to a descent into chaos. His chaotic life experience significantly contributed to the development of his unique artistic style.
Influenced primarily by surrealist currents, particularly the dreamlike aspect found in artists like René Magritte, Schaub also draws inspiration from situationism and the Dadaist side of the punk movement, encompassing musical and pictorial elements from figures like Winston Smith, Jamie Reid, and Gee Vaucher.
In 2004, Schaub won an art competition themed 'Le Temps' (Time) with a painting titled "Time is money... for idiots!" The artwork, a graphic amalgamation reminiscent of Georges Grosz and Banksy, depicted a boss forcibly inserting a clock into his employee's mouth. This marked a turning point, leading to an individual exhibition and press coverage in Geneva newspapers titled "Art and Revolt."
Subsequently, Schaub delved into his role as an independent painter in advertising and decoration. Over 15 years, he undertook various commissions utilizing both modern and traditional techniques, showcasing his versatility in faux-marble, faux-wood, gold leaf, hand illustrations, portraits, caricatures, frescoes, and more.
Currently favoring oil paint for its slow drying process, allowing him to retouch as desired, Schaub employs a unique system of perspectives with a centralized vanishing point in his works. This technique guides the viewer's gaze into the canvas, exploring surrounding elements.
Schaub's paintings delve into diverse subjects, ranging from the world of work and society to psychology, drug addiction, and personal anecdotes. Whether presented in a brutal, poetic, or humorous form, each artwork is a reflection of his goal—to pull people out of their daily routines and encourage independent thinking, questioning societal values. In a world increasingly dominated by media and superficiality, Schaub advocates for self-reflection and challenges the prevailing culture of constant consumption and overindulgence.
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary French Artists
