"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1080 px | ||
|
1365 px |
| Dimensions of the file (px) | 1080x1365 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
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Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
on Plexiglass
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Digital Arts under $1,000 Naive Art
She was a lingerie model by trade.
Nude? She doubt.
You will become a statue, she thought that was funny and posed very relaxed.
Digital paint and several other technics.
Print on acryl 8mm, with suspension frame, unframed.
Limited edtion.
A4, A3, A2 togehter no more as 25 editions.
Bigger as A2 no more as 5 editions.
This one 80 x 60, edtion 1/5.
Related themes
History.
In my youth I did not get to know art. In high school I developed a talent for working with color and shape. At the end of my adolescence, I destroyed my work. Desperate for not understanding my talent, I turned away from art.
After a verylong road I started again.
Almost everyone thinks the female body is beautiful. Nude is often used sensually, provocatively.
My work shows that nude can be art, stripped of all sexual interpretations. I try to reinforce that with self-made backgrounds. I try to convey a message in my work by discovering the viewer for himself.
After years of experimenting, I found my signature. The nude as a canvas, starts for a new creation.
I find inspiration in Naive art, Expressionism and Magic Realism.
Collaboration with models often takes several years. I prefer to work with dancers, gymnasts and acrobats, in recent years only naked.
I work very intuitively, I usually know the postures I want to capture. Only behind my PC / Photoshop does the creation take place. Usually a (slight) deformation of the posture first. Then looking for the color combinations. And finally creating a background.
This does not always work immediately, multiple edits are discarded.
I like to make backgrounds with different brushes. I also make extensive use of my archive. Coincidentally (???) I started photographing special backgrounds such as walls, murals, objects at an early age.
People are often asked how much time it takes to make a work. I don't know exactly. Do I have to include the photoshoot and the preliminary interview in terms of time? Sometimes I use an object several times as a background, each time edited in a different way.
There are many factual preliminary studies on Instagram. The experiments that led to the final result.
Exhibitions and art fairs:
Affordable Art Amsterdam, Brussels, Art Basel, London, Frankfurt and almost all Hilton hotels in Europe and Beijing, small museum Italy, participant atelier route Huizen.
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Nationality:
NETHERLANDS
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Dutch Artists
See more from Johan Van Dreven (jovadre)
