Ntota Artiste peintre Africain Painting by Ntota

Oil on Canvas, 19.7x15.8 in
$1,826.1
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This artwork appears in 2 collections
  • Original Artwork Painting, Oil on Canvas
  • Dimensions Height 19.7in, Width 15.8in
  • Categories Paintings under $5,000 Abstract
La peinture de Ntota un africain congolais, possède les vibrations fortes d'un opéra où les notes éclatent en velutes des couleurs. Ntota a composé sa musique en 3 actes: les toiles, les dessins et les panneaux (dont des très belles peaux de crocodile transformées en rivages colorés). Avec cet équilibre des masses géometriques, qui se croisent entre [...]
La peinture de Ntota un africain congolais, possède les vibrations fortes d'un opéra où les notes éclatent en velutes des couleurs. Ntota a composé sa musique en 3 actes: les toiles, les dessins et les panneaux (dont des très belles peaux de crocodile transformées en rivages colorés). Avec cet équilibre des masses géometriques, qui se croisent entre elles ou fusionnent, Ntota raconte sous un air de fête les tribulations de l'homme dans l'univers et ses divers combats avec les éléments qui l'entourent. Devant l'expression secrète, profonde ou provocante des thèmes abordés, on ne peut plus que rejeter cette boutade de Picasso:
"L'art africain ? connais pas". En effet, il existe bien un art africain. Même s'il est passé dans un bain européen, il reste authentique. Avec des masques, un bestiaire étonnament riche, ce peintre nous invite à découvrir l'afrique et ses mysthères, dans des gestes quotidiens où le souffle de la magie passe avec retenue. dans ces regards où perce l'interrogation de la vie, dans ces envolées mythique d'animaux; dans ces compositions où la sensibilité sensuelle du peintre se laisse pudiquement deviner, Ntota parvient à nous communiquer sa joie de vivre et son amour de la terre. En écoutant battre le coeur de ces tableaux au rythme d'une respiration qui pourrait être la notre, nait une émotion faite de respect, de curiosité et de tendresse. Son déménagement construit dans l'allégresse de l'évènement et le désordre organisé des objets en cavale constitue un heureux exemple de ce paradoxe crée
entre l'emboitement des formes et la liberté des mouvements. L'art africain a influencé plus d'un peintre: Braque ( dans ses petites sculptures), Derain et surtout Fernand Léger qui reproduisit fidèlement un masque Baoulé pour le ballet " La création du monde".
Solange Strimon.
(Les nouvelles affiches de Marseille

Related themes

NtotaGrand Peintre Africain CongolaisNtota École De Peinture De Poto-Poto

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Daniel Ntontolo known as Ntota, is almost the age of the Poto-Poto school of painting, he was born in 1950 in Bacongo (Brazzaville). He spent his first years at school in Loudima then in Louingui with his uncle. [...]

Daniel Ntontolo known as Ntota, is almost the age of the Poto-Poto school of painting, he was born in 1950 in Bacongo (Brazzaville). He spent his first years at school in Loudima then in Louingui with his uncle.
When the latter died, he successively attended the Protestant school of Bacongo and that of Mantsimou (after the Pont du Djoué),
Due to a lack of support, he was unable to continue his studies; he went to the village of Mafoussi to be with his maternal family, then to Moulenda where his paternal family resided. Completely idle, he farmed the countryside, then devoted himself to hunting and fishing. he draws everywhere, especially on the walls of his cousin's shop. One day a client noticed his gifts and advised him to return to Brazzaville to attend a drawing school. But not knowing who to contact, he helps a relative sell a few items at the market.

In 1969, he met a former colleague from the Bacongo school: the latter told him about the Poto-poto painting school. But Guy Leon Filla no longer taught drawing there. it nevertheless appears under the roof of the famous hut on the Moungali roundabout. Zigoma welcomes him. Ombala and Crispin had preceded him. It starts with the most rudimentary equipment: the notebook and the pencil. Zigoma follows him. he then moved on to gouache, after several months of testing, he sold a selection of gouaches: then moved on to oil painting.

Little by little Ntota asserts his personality. Being so young, he astonished by the vigor of his brushstroke, the science of colors, he was first haunted by the memories of the village and his wanderings through the bush, we find among his first paintings the following subjects: "After the rain in the forest", "The rat trapped", "The peanut field", " The mother and her twins", he assumes the past by dealing with traditional subjects; "Fetish mask", "Dance mask", "Bakota mask". For the twentieth anniversary of the Poto-Poto school in 1972, he participated in two exhibitions of Poto-Poto painters. One takes place at the French cultural center in Brazzaville, the other at the French cultural center in Kinshasa. During these exhibitions, Ntota received a lot of encouragement from visitors who saw him as a great budding painter.

Marcel Gotene, returning from Aubusson, will be impressed by the quality of his art. Ntota excels in the figurative style as much as in the abstract style; he sometimes creates bold compositions, all in colors and plans, relating to a sort of constructivist abstraction. This is the case of the painting entitled "The chef's cabin" (1974). The man is confused with his decor and the whole breaks up into distinct elements, which require a kind of autonomy accentuated by the differences in color and the diversification of the plans. In the center of the painting, it is the ground with fire, a large pipe springs from a wall, everything else expresses the opulence of the great dignitary. He uses so...

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