The Four Living Creatures (2017) Painting by Legend

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  • Original Artwork Painting, Acrylic / Oil
  • Dimensions Height 82.7in, Width 85.8in
  • Categories Conceptual Art
The Four Living Creatures according to the Book of Revelation.God has four guards in His throne and in His kingdom. These are the (1) Lion, (2) the Ox, (3) the Man, and (4) the Eagle, as stated in Revelation 4:7 and Ezekiel 1:10. Catch the revelation regarding these beasts. Notice that these 4 beasts are always represented in heaven, in[...]
The Four Living Creatures according to the Book of Revelation.God has four guards in His throne and in His kingdom. These are the (1) Lion, (2) the Ox, (3) the Man, and (4) the Eagle, as stated in Revelation 4:7 and Ezekiel 1:10. Catch the revelation regarding these beasts.

Notice that these 4 beasts are always represented in heaven, in the Old Testament, in the New Testament and and in the new heaven and earth. They raise up God’s standards against evil, in every generation, and especially during the seven church ages. The devil, who comes in the form of the four horse riders (white, red, black and pale horses) in Revelation 6 are what these 4 creatures of God fight against (read the Revelation of the Seven Seals). I have laid out four illustrations on how they are situated in God’s four tabernacles, based from the teaching of God’s end-time prophet , for our clear understanding.

Based on the Book of Numbers Chapter 2, the Lion guards the East Side; the Ox guards the West Side; the Man guards the South Side; and the Eagle guards the North Side.

1. THE THRONE IN HEAVEN - REVELATION 4:2-11
SCRIPTURE: REVELATION 4:2-11
”And immediately I was in the spirit: and, behold, a throne was set in heaven, and [one] sat on the throne. And He that sat was to look upon like a jasper and a sardine stone: and [there was] a rainbow round about the throne, in sight like unto an emerald. And round about the throne [were] four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold. And out of the throne proceeded lightnings and thunderings and voices: and [ there were] seven lamps of fire burning before the throne, which are the seven Spirits of God. And before the throne [there was] a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, [were] four beasts full of eyes before and behind. And the first beast [was] like a lion, and the second beast like a calf , and the third beast had a face as a man , and the fourth beast [was] like a flying eagle. And the four beasts had each of them six wings about [him]; and [they were] full of eyes within: and they rest not day and night, saying, Holy, holy, holy, Lord God Almighty, which was, and is, and is to come. And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever, The four and twenty elders fall down before him that sat on the throne, and worship him that liveth for ever and ever, and cast their crowns before the throne, saying, Thou art worthy, O Lord, to receive glory and honour and power: for thou hast created all things, and for thy pleasure they are and were created.”

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Born in Mberengwa, Zimbabwe, I attended my Primary level of education at Lundi Park Primary School in Gweru (Midlands), and my Secondary level at Mutare Boys High School in Mutare ( Manicaland).[...]


Born in Mberengwa, Zimbabwe, I attended my Primary level of education at Lundi Park Primary School in Gweru (Midlands), and my Secondary level at Mutare Boys High School in Mutare ( Manicaland). In 2014, l enrolled at Mary Mount Teachers College for a three year teaching diploma and  working as a secondary school teacher teaching practical Art with Form One to Six classes at Mutare Boys' High School in Manicaland.I am a Modernist painter, mainly inspired by Doménikos Theotokópoulos,, Picasso Pablo and Henri Émile Benoît Matisse . Before I start painting, I have to read as much as I can about the specific set of rules I would be about to recreate on my canvas. I do not want to just merely capture the image with my brushes, but rather to give that society life once more. I try with every finished work to breathe life into a long forgotten culture so that its design, ideas, innovation and lifestyles are displayed on my canvas. The challenge as with any recreated moment from the past is to not caricature the moment, but instead to capture it in all its former glory. My art does not speak only for me but for people who were long ago silenced.At first I made single figures without any freedom at all: blind houses without any openings, any relation to the outside world. Later, tiny windows started to appear. And then I began to develop an interest in the relationship between two figures. The figures of this phase are turned in on themselves, but they try to be together even though they may not succeed in reaching each other. Gradually the relations between the figures I made became freer and more subtle, and now I see my works as groups of objects relating to each other. Although ultimately each can and does stand alone, the figures can be grouped in various ways and fashions, and each time the tension of their relations makes for a different formal arrangement.  In my most recent work these relations become clearer and more intimate. Now the single work has its own complex of parts, each of which is similar, yet different from the others. But there is still the feeling with which I began-the drama of one among many. The look of my figures is abstract, and to the spectator they may not appear to be figures at all. They are the expression, in abstract terms, of emotions and states of awareness. ; my paintings might be called "confrontation pieces. 


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