Painting titled "indio" by Borizio, Original Artwork, Oil

indio Painting by Borizio

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1484 px
	1500 px

Dimensions of the file (px)	1484x1500
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Original Artwork Painting, Oil

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 39.4in, Width 39.4in

TITOLO : INDIO DIMENSIONI : 100 X 100 TECNICA : ACRILICO - ACRILICO FLUO - ACRILICO FOSFORESCENTE ANNO : 2013 About this artwork: Classification, Techniques & Styles Oil [...]

Borizio

Italy

Maurizio Bonanno , aka Borizio , was born in Turin in 1965. He began painting in 1986.
The Vanguards , The Fauves , The Impressionists , the Post-Impressionists , Pop Art , L ' Abstract Expressionism or Action Painting , art movements that are more hit him , Matisse , Monet , Degas , Renoir, Van Gogh, Gauguin, Pollock, Rothko, Warhol, are the artists that inspired it .
The technique impetuous , strong, aggressive , the use of spatulas and acrylic paints , works on important surfaces , allow him to create figures of great visual impact.
The intensity of the strokes and the expressive power of colors make the works of Borizio full of strength and creative personality .
Thus begins the realization of portraits of famous and ordinary people, where are the colors to be the real protagonists , strong colors that can excite .
The works of Borizio then arise as a reworking of the aesthetic results of several avant-garde currents through personal stylistic innovations that suggest color schemes to overcome the tragedy of the shape and the obsession of the skeleton and the skeleton
There is no room for nostalgia , but only for the investigation of a figure unstructured and therefore emancipated from any reference to a traditional representation of the human face and body .

Recent holdings

Exhibitions

September 23, 2012 - Rue des Artistes - Torino
September 22, 2013 - Rue des Artistes - Torino
November 6 to 10, 2013 - Paratissima - Torino
November 23, 2013 - The Arcades Art - Torino

Contests

August 30, 2013 - ART PRIZE 2013 Rugabella

Extemporary

September 28, 2013 - Piedmont Colors 6 - Sixth classified

Maurizio Bonanno, in arte Borizio, nasce a Torino nel 1965. Inizia a dipingere nel 1986.
Le Avanguardie, I Fauves, Gli Impressionisti, I Postimpressionisti, La Pop Art, L’ Espressionismo astratto o Action Painting, sono i movimenti artistici che più lo colpiscono, Matisse, Monet, Degas, Renoir, Van Gogh, Gauguin, Pollock, Rothko, Warhol, sono gli artisti da cui trae ispirazione.
La tecnica impetuosa, forte, aggressiva, l'utilizzo delle spatole e dei colori acrilici, i lavori su superfici importanti, gli permettono di creare figure di grande impatto visivo.
L’intensità delle spatolate e la forza espressiva dei colori rendono le opere di Borizio piene di forza e di personalità creativa.
Comincia così la realizzazione di ritratti di personaggi famosi e di gente comune, dove sono i colori ad essere i veri protagonisti, colori forti che sanno emozionare.
Le opere di Borizio si pongono quindi come una rielaborazione degli esiti estetici delle molteplici correnti avanguardiste, attraverso personali innovazioni stilistiche che nelle combinazioni cromatiche suggeriscono il superamento del dramma della forma e l’ossessione dello scheletro e dell’ossatura
Non c’è spazio per la nostalgia, ma solo per l’indagine di una figura destrutturata e per questo emancipata da qualunque rimando ad una rappresentazione tradizionale del v...