Adeline Roques
Long time, I drew, painted and I loved doing that. And it taught me. Then I started painting on t.shirts with brushes and stencils, images, messages.
After realizing approx. 200 pieces, I started to make collages, recovering all kinds of papers. I could then speak at will, creating surreal and subversive images, kinds of symbolic metaphors. Freedom of expression joined aesthetics, imagination.
So in 2015, I want to pass a course, no longer seek to represent qque thing, let my talking inside.
So I took a canvas board, I let brushes and glue, and tools chosen improbable, I throw paint with some control. There I discovered that you can write a movement. It becomes concrete, and I see rage, melancholy, vivacity, depth. it goes further than a figurative + is an abstract form of writing.
For me, the ultimate is abstract. This is the most complex of the arts. All doors and drawers are open, the suggestion, there are a thousand interpretations, each one finds its atmosphere. I do not pretend to succeed. Just express my difficulty living. I work directly with the subconscious. The music and sound have a great influence on my creations and the world around us, all that emerges. My influences are past, through, others, my wanderings, experiences, but also people. There the memory of water, our life is the same, it leaves footprints inside and sometimes on the body. All this spring when creating.
Today, when I start a painting, a part of me disconnects. Only the hand and the unconscious work. It's hard but things appear, reappear, it is confusing. I still made a final concern to some extent. The unconscious is also working in this direction. I would like one day to paint under hypnosis (still to meet the right person). What is complicated for me is that I do, I abyss, then I arrange, I finalize (In 2012 I made a series of transfers torn, paint and oil pastel) I like failures, we may use, they are surprising. THE controlled nice perfect is boring, depressing. I am against-the culture.
Artists need to create on the scale That Sami society Has the capacity to destroy- Lauren Bon LA
Discover contemporary artworks by Adeline Roques, browse recent artworks and buy online. Categories: contemporary french artists. Artistic domains: Painting. Account type: Artist , member since 2011 (Country of origin France). Buy Adeline Roques's latest works on Artmajeur: Discover great art by contemporary artist Adeline Roques. Browse artworks, buy original art or high end prints.
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Quelques Trucs • 6 artworks
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Biography
Long time, I drew, painted and I loved doing that. And it taught me. Then I started painting on t.shirts with brushes and stencils, images, messages.
After realizing approx. 200 pieces, I started to make collages, recovering all kinds of papers. I could then speak at will, creating surreal and subversive images, kinds of symbolic metaphors. Freedom of expression joined aesthetics, imagination.
So in 2015, I want to pass a course, no longer seek to represent qque thing, let my talking inside.
So I took a canvas board, I let brushes and glue, and tools chosen improbable, I throw paint with some control. There I discovered that you can write a movement. It becomes concrete, and I see rage, melancholy, vivacity, depth. it goes further than a figurative + is an abstract form of writing.
For me, the ultimate is abstract. This is the most complex of the arts. All doors and drawers are open, the suggestion, there are a thousand interpretations, each one finds its atmosphere. I do not pretend to succeed. Just express my difficulty living. I work directly with the subconscious. The music and sound have a great influence on my creations and the world around us, all that emerges. My influences are past, through, others, my wanderings, experiences, but also people. There the memory of water, our life is the same, it leaves footprints inside and sometimes on the body. All this spring when creating.
Today, when I start a painting, a part of me disconnects. Only the hand and the unconscious work. It's hard but things appear, reappear, it is confusing. I still made a final concern to some extent. The unconscious is also working in this direction. I would like one day to paint under hypnosis (still to meet the right person). What is complicated for me is that I do, I abyss, then I arrange, I finalize (In 2012 I made a series of transfers torn, paint and oil pastel) I like failures, we may use, they are surprising. THE controlled nice perfect is boring, depressing. I am against-the culture.
Artists need to create on the scale That Sami society Has the capacity to destroy- Lauren Bon LA
- Nationality: FRANCE
- Date of birth : 1971
- Artistic domains:
- Groups: Contemporary French Artists
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ABSENS
Castries, France
Artiste autodidacte, née en 1971, je peins sur toile, tissus et vêtements basic coton depuis une dizaine d'années. Je dessine depuis l'enfance. Après des années chaotiques d'errance et de révolte, le retour à la peinture depuis 2008 et une rencontre déterminante en 2010, m'ont permis d'évoluer et comprendre qui je suis, et de me dépasser dans l'imaginaire, en liberté. L'art est le seul endroit où ma différence et ma trop grande sensibilité peuvent s'exprimer. Exploiter les ratages, transformer les détours hasardeux et les intuitions, mutiler la matière en beauté peut être porteur. Aujourd'hui, mes peintures sont comme une écriture qui n'existe pas, comme pour signaler mon isolement, la quasi rupture avec la société. L'Ovni que je suis peut enfin communiquer dans un univers qui a sa place. Ceci dit, l'abstrait reçoit toujours beaucoup d'incompréhension...ce n'est pas un problème pour moi.
"Absens" est ma quatrième exposition à la galerie des Halles de Castries, qui est le village où j'ai vécu, de 1974 à 1996. Un peu plus de vingt peintures abstraites seront présentées, moyens et grands formats. Il s'agit de peinture en mouvement, spontanée, d'improvisation, couplée à une technique préparée et précise.
Bienvenue à tous
Ante
Galerie des Halles 34160 CASTRIES
Exposition de peinture abstraite en mouvement, différentes techniques et supports. Grands formats. Mélange de hasard et de contrôle. Technique basée sur l'expression libre de l'inconscient et l'écriture abstraite. Les non-couleurs sont prédominantes, écrin de petites touches colorées.
Le Parisien
L’article comprend la biographie ci-dessus.
INTRA
Galerie des Halles. 34160 Castries
Vernissage le 5 janv. à 18H30 Exposition de peintures abstraites réalisées en mouvement sans pinceau pour la plupart. Supports et fournitures détournés ou de récupération. Peu ou pas de chassis. Laisse parler l'inconscient, il a beaucoup à dire.
ARoques
Long time, I drew, painted and I loved doing that. And it taught me. Then I started painting on t.shirts with brushes and stencils. Pictures, messages. Subversion is a powerful way to make things happen, to make people think.
After realizing approx. 200 pieces, I started to make collages, recovering all kinds of papers. I could then speak at will, creating surreal and shocking images, the kinds of symbolic metaphors. What freedom. Freedom of shoving, open the eyes has the beholder. That is the true vocation of collage.
So in 2015, I want to pass a course, no longer seek to represent qque thing, let my talking inside.
So I took a canvas board and I spend my nerves over using utensils improbable, I mutilates the carrier with some control (I lost one night in 2011 and destroyed some twenty paintings). There I discovered a video that looks like me. My movement is real, and I see rage, melancholy, vivacity, depth. it goes further than a figurative + is an abstract form of writing.
For me, the ultimate is abstract. This is the most complex of the arts. All doors and drawers are open, the suggestion, there are a thousand interpretations. I do not pretend to succeed. Just express my difficulty living. I work directly with the subconscious. The music and sound have a great influence on my creations. As the world around us, everything that emerges in my years of wandering, the underground. There is the memory of water, our life is like, it leaves traces, we permeates. All this spring when creating. Our experiences, our experiences follow us to death.
Today, when I start a painting, a part of me disconnects. Only the hand and the subconscious work. It is difficult but amazing things appear, reappear, it is confusing. I still made a final concern to some extent. The unconscious is also working in this direction. I would like one day to paint under hypnosis (still to meet the right person). I love the experience. What is complicated for me is that I do, I abyss, then I arrange, I finalize (In 2012 I made a series of transfers torn) I like failures, we may use, they are interesting. THE beautiful perfect controlled'm bored, depressed me. Might also be because humanity by destroying built.
Artists need to create on the scale That Sami society Has the capacity to destroy- Lauren Bon LA