All Roads Lead to Letterkenny (Ramelton, Donegal) (2021) 绘画 由 Emma Cownie

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最大分辨率: 3173 x 2666 px
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  • 原创艺术品 (One Of A Kind) 绘画, 在亚麻帆布上
  • 外形尺寸 高度 18.1in, 宽度 21.7in
  • 是否含画框 此作品未装裱
  • 分类 印象派 景观
An oil painting of an old two-storey blue house at a T-junction of Shore Road and Castle Street near where the market Cross used to be, in Ramelton, Donegal. Outside, a distinctive black and white fingerpost, dating back to the mid C20th, points the way to Letterkenny. Read more about the Georgian Houses of Ramelton here.
An oil painting of an old two-storey blue house at a T-junction of Shore Road and Castle Street near where the market Cross used to be, in Ramelton, Donegal. Outside, a distinctive black and white fingerpost, dating back to the mid C20th, points the way to Letterkenny. Read more about the Georgian Houses of Ramelton here.

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RameltonDonegalBlue HouseIreland

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Born in Hereford, educated in Cardiff and London, I am a professional contemporary artist, specializing in oil paintings. I am based in Donegal, Ireland and Derry, NI.  All my life I have loved being creative[...]

Born in Hereford, educated in Cardiff and London, I am a professional contemporary artist, specializing in oil paintings. I am based in Donegal, Ireland and Derry, NI.  All my life I have loved being creative – whether it was drawing and sketching as a teenager, drawing with oil pastels and screen print-making in my 20s and finally focusing on photography and oil painting in adult life.

I originally trained as a professional Medieval Historian and then worked in Secondary Education for almost two decades until my life took an unexpected turn. On 29th February 2012 I was involved in a car accident which led to me developing  PTSD and having a breakdown. My emotional recovery was long and exhausting and is still ongoing. Art was an essential part of that process and still is. I have been a professional artist since 2013, part-time until the summer 2016 when I became a full-time professional artist.

I paint most days.  My work focuses on light and colour, whether I paint rural landscapes, urban streets, seascapes or figurative work. I like to paint people walking around in their everyday lives, painting moods, anticipations, and atmospheres, trying to express presence and pathos. I notice things that others miss. I am fascinated by details and relationships.

In my work, I am drawn to light and shadows and how they shape our emotions. I remember visiting the South of France as a teenager and being mesmerized by the dazzling light, I have been attempting to capture that excitement about light in my paintings ever since. I aim to make people look at the ordinary and see the extraordinary beauty in it.

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