Sharing a heart - Special for Valentine's Day (2020) 绘画 由 Eliza Matica

油在帆布上, 35.4x31.5 in
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Eliza Matica 出售
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  • 原创艺术品 (One Of A Kind) 绘画, 在帆布上
  • 外形尺寸 高度 35.4in, 宽度 31.5in
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  • 分类 画作 低于US$5,000 印象派
Sharing a heart Oil on canvas 2020 Plato - Symposium. "In primal times people had doubled bodies, with faces and limbs turned away from one another. As spherical creatures who wheeled around like clowns doing cartwheels , these original people were very powerful. There were three sexes: the all male,[...]
Sharing a heart
Oil on canvas
2020


Plato - Symposium.

"In primal times people had doubled bodies, with faces and limbs turned away from one another. As spherical creatures who wheeled around like clowns doing cartwheels , these original people were very powerful. There were three sexes: the all male, the all female, and the "androgynous," who was half male, half female. The males were said to have descended from the sun, the females from the earth and the androgynous couples from the moon. These creatures tried to scale the heights of Olympus and planned to set upon the gods . Zeus thought about blasting them with thunderbolts but did not want to deprive himself of their devotions and offerings, so he decided to cripple them by chopping them in half, in effect separating the two bodies.

Ever since that time, people run around saying they are looking for their other half because they are really trying to recover their primal nature."
Wikipedia

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HeartSymposiumPlatoValentineValentine's Day

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Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter . We will see... 2018-2019[...]

Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...

2018-2019 Postwar Abstract Painting MoMA   New York,New York,                                      United States                                                            
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania

All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.

In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!

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