Tree DNA (2024) 摄影 由 Ekaterina Kastalskaya
此图片可以用许可证下载
-
该作品是“开放版”
摄影,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 抽象主义 树
In this photo you can see bizarre trees — an art object in the park near the Dom Tvorchestva Peredelkino (House of Writers' Creativity).
They were installed in place of the hundred-year-old spruce trees that perished in 2021 from an invasion of the typograph beetle. The author of the bizarre trees is Nikolai Polissky, a famous master of land-art — a trend in art in which the work is always inextricably linked with the surrounding landscape.
🟦 At one time or another Peredelkino became home to Boris Pasternak, Isaac Babel, Boris Pilnyak, Alexander Fadeev, Valentin Kataev, Korney Chukovsky, Andrei Voznesensky, Bella Akhmadulina, Lilya Brik, Fazil Iskander, Yuri Mamleev, Bulat Okudzhava, Vasily Aksenov, and Arseniy Tarkovsky.
Many prominent writers, poets, translators, playwrights, literary critics would come to stay at Dom Tvorchestva, including Alexander Solzhenitsyn, Anna Akhmatova, Viktor Shklovsky, Mikhail Bakhtin, Bob Dylan and Allen Ginzberg.
✔️ The decree of the Council of People's Commissars "On the construction of the City of Writers" was issued on July 19, 1933.
Lists of the first residents - at first only 30 dachas were built - were discussed a lot before approval. They were Pasternak, Pilnyak, Pavlenko, Poor, Ivanov, Malyshkin, Gladkov, Leonov, Erenburg, Panfenov, Shaginyan, Bakhmetyev, Babel and other famous writers of the time.
It was decided that the dachas built with state money would be assigned to the writers for life. And six months after the death of the owner, a meeting would decide on a new tenant.
Now not every house is open for excursions, some have people living in them. But you can look into the house-museums of Chukovsky, Pasternak, Okudzhava, the gallery-museum of Yevtushenko.
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Ekaterina began photographing as a teenager at the age of 14. And of course, it was analog photography. Shooting on a Zenith, playing with exposure, developing and hand printing.
In the 2000's came the era of digital photography, and from the middle of the decade Ekaterina began to engage in reportage photography.
In 2016, she returned to analog photography again.
Now in her work she explores association as a way to connect pictures of the surrounding reality with sensory experience. Her photographs reference books she has read, movies she has watched, music videos, works of art, and simple stories that happen in everyone's life.
The genre of portraiture attracts her with its ability to show the human gaze and real emotion, be it joy, peace, tension, dramatic strife in the soul.
Ekaterina prefers to capture the moment when shooting and takes a film camera even on a simple walk in the park.
