Les Voyages Imaginaire 7356 (2021) Painting by S Duclos
Seller S Duclos
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1192 px | ||
|
1500 px |
| Dimensions of the file (px) | 1192x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Lacquer
on Wood
- Dimensions Height 19.7in, Width 15.8in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Abstract
Des mondes flottants et illusoires de toutes sortes. Tout à la fois fruit d’une inspiration s’encrant dans le réel et d’une imagination inventive, ces paysages constituent un véritable répertoire de pluralité. Caractérisé par une abstraction dominante, notre œil ne peut s’empêcher d’y apercevoir quelques formes visibles et identifiables.
C’est notamment par un jeu de couleurs et par les contrastes colorés que notre vision semble s’éclaircir. Ainsi, un jaune tacheté de vert nous renvoie à l’image d’un désert ardent, un noir ténébreux formant des stalactites nous évoque la pénombre d’une caverne souterraine, un aplat de gris devient un désert de sel, et une imposante masse blanche un mont enneigé.
Toutes ces compositions se rejoignent en un point culminant : leur diversité de contenu. Voyant cela, il nous est faisable d’apercevoir simultanément des environnements absolument opposés. C’est ainsi qu’un iceberg se meut avec douceur sur l’eau gelée et limpide tout en nous plongeant dans le froid polaire de la banquise, tandis qu’un peu plus loin notre attention se voit happée par une toile aux nuances brûlantes, là où la chaleur et le flamboiement du cœur d’un volcan fait se promener des pierres de lave le long du magma en fusion.
C’est dans l’intensité de ce contraste que notre vision se perd autant qu’elle ne se trouve. Cherchant à démêler le vrai du faux, le réel de l’imaginaire, l’esprit est en perpétuelle recherche d’un point familier où se raccrocher. Si l’on peut trouver ce point dans chacune des toiles, c’est pourtant bien là un exercice personnel, interne et subjectif, qui nous est demandé. L’abstraction se met alors au service de la figuration, la sert sans pour autant en prendre sa place. Distinguant des schèmes familiers, tout est révélé sans finalement jamais ne l’être complètement.
Ces corps flottants entre deux mondes nous apparaissent alors comme les composants nécessaires à la formation de cet univers mystérieux, et pourtant si insaisissable. En définitive, plus qu’une invitation au voyage à travers divers paysages imaginaires, la peinture engage un voyage de l’esprit en tant que tel, une évasion éveillée, au cœur même de ma propre imagination créatrice.
Related themes
Born in 1970 in Annecy, France.
I live and work in Talloires on the shores of Lake Annecy.
A polymorphic painter, I sometimes approach abstract works, sometimes figurative works.
Floating and illusory worlds of all kinds. Both the fruit of an inspiration rooted in reality and of an inventive imagination, these landscapes constitute a true repertoire of plurality. Characterized by a dominant abstraction, our eye cannot help but perceive some visible and identifiable forms. It is notably through a play of colors and colorful contrasts that our vision seems to brighten. Thus, a yellow speckled with green brings us back to the image of a burning desert, a dark black forming stalactites evokes the gloom of an underground cavern, a flat gray becomes a salt desert, and an imposing white mass a snow-capped mountain. All these compositions come together at a culminating point: their diversity of content. Seeing this, it is possible for us to simultaneously perceive absolutely opposite environments. Thus, an iceberg moves gently on the frozen and limpid water while plunging us into the polar cold of the ice floe, while a little further away our attention is caught by a canvas with burning shades, where the heat and the blaze of the heart of a volcano make lava stones walk along the molten magma. It is in the intensity of this contrast that our vision is lost as much as it is found. Seeking to disentangle truth from falsehood, reality from imagination, the mind is in perpetual search for a familiar point to which to cling. If we can find this point in each of the paintings, it is nevertheless a personal, internal and subjective exercise that is asked of us. Abstraction then puts itself at the service of figuration, serving it without taking its place. Distinguishing familiar patterns, everything is revealed without ultimately ever being completely revealed. These bodies floating between two worlds then appear to us as the necessary components for the formation of this mysterious, yet so elusive universe. Ultimately, more than an invitation to travel through various imaginary landscapes, painting initiates a journey of the mind as such, an awakened escape, to the very heart of my own creative imagination.
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Nationality:
FRANCE
- Date of birth : 1970
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Contemporary French Artists
