opera2.jpg (2014) 绘画由 Roberto Del Frate

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绘画在帆布上, 39.4x39.4 in

US$7,706.22

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由 Roberto Del Frate 出售

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发货地： 意大利 (盒子或纸箱包装)

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这件艺术品出现在8集

原创艺术品 绘画, 在帆布上

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原创艺术品

原创艺术作品是任何被认为是真实的作品，而不是对艺术家原创作品的复制或模仿。原创艺术作品可以是任何类型的绘画、雕塑、表演或其他媒体。有多种类型的原始媒体。混合介质包括油、丙烯酸和水彩颜料。对于见证工艺的作坊绘画，这种归属必须更加细微。尽管由于各种原因它们的价值可能较低，但复制品和副本对我们的体验产生了巨大影响。与原作相比，它们的受众范围更广，并充当反商品化的补品。原始作品也可以指第一部作品，它总是先于所有其他作品。它也可以指可以制作其他作品的原型或模型。每部作品都与原作有很大相似之处。
外形尺寸 高度 39.4in, 宽度 39.4in
分类画作低于US$20,000 形象艺术

Acrylic on canvas 关于这件艺术品: 分类, 技术技巧 & 款式形象艺术具象色彩的绘画自由地包括了各种形式的艺术，而没有文化体裁和地理起源的边界，在高级文化与亚文化之间没有等级的价值。[...]

Roberto Del Frate

意大利

FULL BIOGRAPHY He has started his career at the Atelier Frattini in Venice (Italy) founded by his farther Enrico del Frate (1929 – 2006) who was a renowned painter. Under the strict fatherly[...]

FULL BIOGRAPHY

He has started his career at the Atelier Frattini in Venice (Italy) founded by his farther Enrico del Frate (1929 – 2006) who was a renowned painter. Under the strict fatherly guidance, he acquired a certain automatic mechanism in the color research and preparation of canvas and board that allowed him to create the first artworks according to the two styles of his father: the typically mannerist one related to the vedutismo style of Venetian painters such as Francesco Guardi (Venice, 1712 – 1793), Guglielmo Ciardi (Venice, 1842 – 1917) and Pietro Fragiacomo (Trieste, 1856 – Venice , 1922): the second one “en plein air” reminding the French impressionism and the Italian Macchiaioli style. During the 1980s, he spent a considerable amount of time in Paris where he was completely floared by the French impressionism that encouraged him ti embrace painting “en plen air”. The landscaoes of Venice were replaced by the natural ones filled with children and women who sunbathe in the fields or with themes like seascapes, sunsets and sunrises. In the 1990s, he opened his own atelier in Venice and his interest in painting arcadian and etheral landscape was replaced by the urban landscape that become a new milestone in his artistic career. The city with its vitality becomes the fundamental subject of his fascinating and suggestive paintings in which the anachronistic impressionism was replaved by the contemporary reality. With the beginning of the new millennium, Roberto del Frate, beyond the production of neo-impressionist landscapes, started working on the portrait because he wanted to highlight the figures painted in his landscapes. In his portraits (inspired by the espressionist style), he likes to put on top of human figure (often painted in black and white) an abstract and colorful background in order to create a strong contrast. He currently lives in Trieste (Italy) and has his artistic residency at the Atelier Home Gallery