Woman jewish drawings Israeli artist Mirit Ben-Nun (2014) 描画 Mirit Ben-Nun によって

Mirit Ben-Nun が販売

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Mirit Ben-Nun が販売

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アーティストが署名したアートワーク
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このアートワークは1コレクションに表示されます
  • オリジナルのアートワーク (One Of A Kind) 描画, 紙の インク / マーカー / 鉛筆
  • 寸法 高さ 13.8in, 幅 9.8in
  • フレーミング このアートワークは額装されていません
  • カテゴリ 抽象芸術
Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting its nuances and associations to the fullest. Some forms follow the same direction and others change it constantly, even urgently. Its language is visual and independent of its expressiveness, lies in the value and organization of its elements. The things of the[...]
Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting its nuances and associations to the fullest. Some forms follow the same direction and others change it constantly, even urgently. Its language is visual and independent of its expressiveness, lies in the value and organization of its elements. The things of the visible world are unimportant, the achievement is the achievement of reproduction of the world and human nature. Constantly encourages creativity. In this case pointillism conveys emotions by the effect it achieves using color, points, lines and thus captures the attention of the observer.

Dora Woda

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GalleryIsraelModernArtworkIsraeli

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She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and[...]

She brought the acrylic into her world of lines and dots; she went back to painting women and masks that appeared in her childhood paintings and flooded them with lines and dots without separating body and background.

This is also the moment when Ben-Nun began to refer to herself as a painter.

and when art became the center of her life.

The intense colors in Ben-Nun's paintings sweep the viewer into a sensual experience. The viewer traces the surge of dots and lines formed in packed layers of paint. The movement leads to a kind of female-male hormonal dance within the human body and to a communion with an artistic experience of instinct, passion, conceiving and birth.

Contributing to this experience is the wealth of characteristics reminiscent of tribal art. Ben-Nun merges these with a humorous and kicking contemporary Western Pop art. In the language of unique art, Ben-Nun creates an unconventional conversation between past and present cultures.

It is evident that the paintings emerge from a regenerated need and desire, a force that erupts from her soul, a subconscious survival instinct to which she cannot or does not want to resist.

Ben-Nun places women at the center stage where they are her work focus. The paintings obsessively deal with the existential experience of being a woman in the world. A few of the women's paintings carry feminist slogans stressing the women's struggle in society, a critique for being held to perfection and being required to perform as a model of "beauty, purity and motherhood". Feminism pulsates in Ben-Nun's psyche, through her diverse female images and the play between beauty and unsightliness; Ben-Nun assimilates the consciousness of feminine possibility, of not being "perfect", of being powerful, influential, and outside social norms. This mandates a departure from acceptable limitations where Ben-Nun creates a new world of free spirit for women.

Mirit Ben-Nun is a mother of three and the grandmother of three grandchildren.

 

Mirela Tal 

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彫刻 - ウッド | 27.6x39.4 in
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紙のインク | 13.8x9.8 in
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紙のインク | 27.6x23.6 in
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キャンバスのアクリル | 35.4x35.4 in
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