Leasing des Werks „ Untitled Νο20 “ von Anastasis Ioannou mit Kaufoption
Die Gemälde von Anastasis Ioannou können mit Kaufoption gemietet werden
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Informationsanfrage zum Thema Leasing "Untitled Νο20"
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Häufig gestellte Fragen
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Über den Autor
What primarily interests Anastasis Ioannou (b.1990) is the creation of a psychological space and the way this space is reflected on the canvas. That’s why he emphasizes that his images are purely metaphysical. If trees are like faces, then Ioannou’s paintings are portraits of the unknown. They are tree-faces he has seen on the street and in the works of other painters, faintly recalling their shapes. He is not interested in the symbolism of trees or their private lives, but rather in the deeper relationship that humans develop with them (consider that there exist wishing-trees and trees where people choose to hang themselves). “The expression of the inner psychological space is achieved through images of an external place that indeed resemble trees, but for me, that’s the least important thing. I pay more attention to the way light works and diffuses through the image, its intrinsic nature and its fluctuations. I opt to make this light refer not to reality but to the dream itself,” the artist points out. In Anastasis Ioannou’s landscapes, trees are not exactly trees. They could be refugees, portraits of refugees (“Forced to leave again, become a refugee for the second time, and once again an uprooted tree, probably unable to grow new roots, condemned to yearn and suffer,” as Etel Adnan writes). Or they could be self-portraits. One thing is certain: his trees are diverse. Some of them are dark and heavy, others are brighter and more colourful. Some have more impasto, while others have less. They come in different sizes, diptychs and triptychs, and they undergo a transformation, becoming fire or flirting with dusk, fog, and moonlight. But even in the darkest of these paintings, there exist moments of tranquillity. One can watch the weather within these images. And there are trees that seem to embrace each other, exchanging roles, becoming lovers.
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Nationalität:
GRIECHENLAND
- Geburtsdatum : 1990
- Künstlerische Domänen: Werke von professionellen Künstlern, Vertreten durch eine Galerie,
- Gruppen: Professioneller Künstler Zeitgenössische Griechische Künstler Künstler präsentiert von einer Galerie
