Ballade au coeur du féminin intemporel
Ces photos issues de la série "Sublimations" prises un peu partout dans le monde, illustrent une envie, celle d'offrir une liberté totale aux couleurs, de s'éloigner de la réalité observable et de transcender les conventions.
Il s'agit de dépasser la réalité afin d'atteindre une vision ou la couleur domine de manière absolue. Au delà d'une simple retouche, Sublimations constitue une transfiguration impliquant une construction formelle où la composition, la lumière et la couleur occupent une place essentielle.
Collection WAVES and motion inspired by the ocean force and deepness, force of nature in all her shades and shapes.
Virtual gallery with a selection of works by the Austrian artist Friedrich Zettl
In terms of the content and concepts I’m looking at, I am exploring the notion of the ‘unfinished’ in the visual arts. There are works left incomplete and works using a non finito—intentionally unfinished— aesthetic that embraces the unresolved. Artists like Cézanne, and modern artists Jackson Pollock and Robert Rauschenberg, have taken the unfinished in entirely new directions, blurring the distinction between making and un-making, extending the boundaries of art, and inviting the viewers to make own interpretations. I would like to find my voice in this movement as well. Finally, I am inspired by the looser norms of what constitutes 'good' art. The art world has become more inclusive, which leaves room for a much wider variety. I don’t necessarily agree with or like everything out there, but I appreciate that there is room for it. This gives me the courage to deliver an unpolished, authentic expression of my inner self to an audience when I feel it’s ready.
Bonjour à vous et bonne visite...
... A tous vos peut-être questionnements, je ferai toutes tentatives de réponse...
Artistiquement... Ontologiquement...
denis perrot
Compositions Abstraites et Florales
Juillet 2025
Willkommen in der 3D-Galerie mit Kunstwerken von Götz Wiedenroth. Es erwartet Sie eine Auswahl von Zeichnungen im Bereich Akt, Technik, Landschaft und Abstraktes. Angenehmen Aufenthalt!
La gallerie présente la série Kairos
My artistic practice consciously moves in an area of undecidability, inhabiting that liminal space where photography, drawing, painting and writing converge in an uninterrupted dialogue. I do not consider this hybrid approach as a simple sum of techniques, but as the affirmation of a poetics that recognizes its generative core in the tension between different languages. Although my works present manual interventions, geometric signs and material stratifications, I consider them fundamentally post-photographs as they maintain a profound connection with the indexical nature of the photographic medium. This media ambiguity is not indecision, but an active semantic strategy.
I am particularly interested in what Jacques Rancière defines as a thoughtful image, an entity that does not simply illustrate a pre-existing thought, but constitutes a magnetic field charged with unresolved tensions, resistant to univocal meanings. The work thus becomes a space of perpetual oscillation between apparently opposite polarities: technological automatism and manual gesture, documentation and creation, material presence and conceptual abstraction.
My creative process reflects this threshold condition: photographic elements are deconstructed and recontextualized, but never completely denied; pictorial interventions assert their materiality without erasing the underlying photographic trace; geometric signs impose a visual order that dialogues with the organic complexity of the captured image; words insinuate themselves between the visual layers, not to explain them but to amplify their ambiguity.
This hybrid practice mirrors our contemporary reality, culturally and technologically fragmented, where images, texts and data constantly mix. I am not interested in resolving this ambiguity, but in consciously inhabiting it in a contemporary landscape, where distinctions between artistic disciplines become increasingly porous.