Urban Ubiquity (92 x 122cm) (2018) Malerei von David Tracey

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  • Original-Kunstwerk (One Of A Kind) Malerei, Acryl auf Leinwand
  • Masse Höhe 48in, Breite 36,2in
  • Rahmen Dieses Kunstwerk ist nicht gerahmt
  • Kategorien Gemälde unter 5.000 $ Hyperrealismus
Power, communications, light; the ubiquitous pole carries key elements of our modern lives. They are everywhere, and everywhere ignored. And yet there is a sort of beauty to them, yes? They function so well, through hot sun, cold rain, wind, dust. Look at the simplicity and complexity of them, organised and messy, stubborn and fragile, beautiful and[...]
Power, communications, light; the ubiquitous pole carries key elements of our modern lives. They are everywhere, and everywhere ignored. And yet there is a sort of beauty to them, yes? They function so well, through hot sun, cold rain, wind, dust. Look at the simplicity and complexity of them, organised and messy, stubborn and fragile, beautiful and ugly. Sound familiar?

A universal element in all of our lives, the humble power pole against a gorgeous setting sun in this lovely acrylic painting, 920x1220 mounted on a framed stretcher, ready to hang. Has a lovely realistic look with an early evening sky moved slightly to purple hues with orange tones at the horizon. Simple, striking and civilised.

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SunsetCityCityscapeUrbanTelegraph Pole

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I am an artist based in Sydney, Australia. I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

I am an artist based in Sydney, Australia.

I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

For many years I worked as a scenic artist creating sets and backdrops for film and television, painting very large images in film studios. It was high pressure and short deadlines but what a great time!

With the advent of computer graphics, I moved on to creating realistic animated content commercially, again specializing in environments and surface textures. But I have come back to painting, still the most satisfying medium. Portraits now, and skyscapes too, sometimes together on the same canvas. I work in oil and acrylic, painting our modern world; both so rich and beautiful.

I learnt so much from the modern disciplines (film work, computer graphics, photography) and found it all is relevant when painting. I use these modern elements to lift the image, to meet the expectations of the modern eye. Even flares, artifacts, and scattering all work beautifully in oil to create a visually satisfying piece that is still clearly handmade, wrought by human creativity.

The artists I admire are Elizabeth Vigee Le Brun, William Bouguereau, and Marcel Marlier; masters in the realistic style and technique they used in creating such believable skin tones.

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