Cloud with Sunbeams (2018) Peinture par David Tracey

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In the deep blue of the midsummer sky, a clean white cloud drifts across the sun. For a few moments we are in it's shadow, revealing glowing sunbeams and shafts of rich blue shadow. The mass appears translucent as the sun lights it's inner core, and blazes at the edges. The vibrant colour and cool whites in this painting show[...]
In the deep blue of the midsummer sky, a clean white cloud drifts across the sun. For a few moments we are in it's shadow, revealing glowing sunbeams and shafts of rich blue shadow. The mass appears translucent as the sun lights it's inner core, and blazes at the edges.

The vibrant colour and cool whites in this painting show a translucency in the cloud, making it glow and blaze. Very vivid blues, this painting looks fantastic on a white wall. A statement piece, it is exciting and uplifting; the perfect accent for a living room or office.

Acrylic on canvas with wooden backing

Thèmes connexes

SkyCloudsSkyscapeSummerCloudscape

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I am an artist based in Sydney, Australia. I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

I am an artist based in Sydney, Australia.

I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

For many years I worked as a scenic artist creating sets and backdrops for film and television, painting very large images in film studios. It was high pressure and short deadlines but what a great time!

With the advent of computer graphics, I moved on to creating realistic animated content commercially, again specializing in environments and surface textures. But I have come back to painting, still the most satisfying medium. Portraits now, and skyscapes too, sometimes together on the same canvas. I work in oil and acrylic, painting our modern world; both so rich and beautiful.

I learnt so much from the modern disciplines (film work, computer graphics, photography) and found it all is relevant when painting. I use these modern elements to lift the image, to meet the expectations of the modern eye. Even flares, artifacts, and scattering all work beautifully in oil to create a visually satisfying piece that is still clearly handmade, wrought by human creativity.

The artists I admire are Elizabeth Vigee Le Brun, William Bouguereau, and Marcel Marlier; masters in the realistic style and technique they used in creating such believable skin tones.

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