“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印-
该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 超现实主义 神话
The series is inspired by scenes taken from stories of the Greek mythology, and are combined into a futuristic cold world. These pieces display the destruction of the ancient world with its beautiful and glorious architecture by new age technology and progress
相关主题
Daphna Laszlo Katzor Multidisciplinary art: Sculpture and Photography Digital Art. Daphna is an NB Haifa School of Design, photography department graduate and Orian College Tel Aviv in multimedia. Daphna is the director of Studio Shoot, engaged, in portrait photography for the Israeli newspaper Ma’ariv, as well as in commercial photography: advertising and fashion, conducts lectures and teaches photography. Daphna is an artist engaging in sculpture and artistic digital photography and widely displayed and exhibited her varied works in worldwide.
My digital-art pieces are created by integrating digital-photography taken in the studio or in other environment, with computer digital editing. The works are composed of many layers of photographs. By employing different techniques in one piece, the details of the photographs which appear in it are endowed with a new meaning and a new reality composed of all the details which were joined together is created.
My digital images are processed, creating a work of art that is completely different from the original photograph images.
My digital-art pieces are surrealistic; surrealism serves well the messages I seek to convey through my works.
In the works, I integrated cultures and traditions, thus creating a world wherein fact and fiction are intertwined. I create a novel, imagined reality, of a setting based in a different, unclear time, which I am attempting to examine. I am enabling the viewer to find enjoyment in classical aesthetics, a hypnotizing array of colours, and an intoxicating pastoral beauty. However, following a meticulous review and a thorough understanding of every detail and gesture, the hidden, harsh revelations are discovered, and a realization is reached, that the scenes serve as an allegory for the state of man, society, and culture as a whole, and for the image of the world we are leaving behind.
