Porcelain Objects with Blue Decorations At Sea (2021) 数字艺术 由 Daphna Laszlo Katzor

美术纸, 8x12 in
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 艺术品状况 艺术品完好无损
  • 分类 超现实主义 奇妙
This series was inspired by the private diary of my grandmother, which she had brought from her homeland, whose writing commenced when she was a young electrical-engineering student in a gymnasium in Russia and continued after her immigration to Israel as a grown woman. The series engages in the historical story of my family and in the various characters [...]
This series was inspired by the private diary of my grandmother, which she had brought from her homeland, whose writing commenced when she was a young electrical-engineering student in a gymnasium in Russia and continued after her immigration to Israel as a grown woman.
The series engages in the historical story of my family and in the various characters who played a prominent part in it and created the familial lineage, which is intertwined with the complex story of the establishment of the state in which I was born and of their ordeals prior to their arrival in Israel, as well as thereafter.
I created an imagined encounter between myself and various characters belonging to different generations of my family by use of historical, personal belongings which were either brought by members of my family from their homelands or originate in Israel, where they built their home. At times, the objects are integrated into the wide array of Israeli landscapes, and at times – into imaginary dark rooms. An intense contrast exists between the darkness of the rooms and the bright colorfulness of the landscapes, but the objects create a uniformity and continuity of the theme.
On the one hand, it is a historical, autobiographical story; on the other, it is relevant to all times and places and could evoke identification and memories in many individuals, wherever they may be.

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Daphna Laszlo Katzor Multidisciplinary art: Sculpture and Photography Digital Art. Daphna is an NB Haifa School of Design, photography department graduate and Orian College Tel Aviv in multimedia. Daphna is the [...]

Daphna Laszlo Katzor Multidisciplinary art: Sculpture and Photography Digital Art. Daphna is an NB Haifa School of Design, photography department graduate and Orian College Tel Aviv in multimedia. Daphna is the director of Studio Shoot, engaged, in portrait photography for the Israeli newspaper Ma’ariv, as well as in commercial photography: advertising and fashion, conducts lectures and teaches photography. Daphna is an artist engaging in sculpture and artistic digital photography and widely displayed and exhibited her varied works in worldwide.

My digital-art pieces are created by integrating digital-photography taken in the studio or in other environment,  with computer digital editing. The works are composed of many layers of photographs. By employing different techniques in one piece, the details of the photographs which appear in it are endowed with a new meaning and a new reality composed of all the details which were joined together is created.

My digital images are processed, creating a work of art that is completely different from the original photograph images.

My digital-art pieces are surrealistic; surrealism serves well the messages I seek to convey through my works.

In the works, I integrated cultures and traditions, thus creating a world wherein fact and fiction are intertwined. I create a novel, imagined reality, of a setting based in a different, unclear time, which I am attempting to examine. I am enabling the viewer to find enjoyment in classical aesthetics, a hypnotizing array of colours, and an intoxicating pastoral beauty. However, following a meticulous review and a thorough understanding of every detail and gesture, the hidden, harsh revelations are discovered, and a realization is reached, that the scenes serve as an allegory for the state of man, society, and culture as a whole, and for the image of the world we are leaving behind.

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