Flag Bearer- End of the Road (2024) 数字艺术 由 Daphna Laszlo Katzor
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 超现实主义 历史
The war depicted in the series is analogous to battles which are not physical by necessity; rather, they are cultural battles related to values which constantly take place in our lives.
In the series, I integrate landscapes and sites of immense power of various locations all over the globe with imagined, at times futuristic, locations as the backdrop to the unfolding scenes and the chain of events.
The main character was photographed in a studio according to a meticulous plan for the sake of later integrating her into the background, which was tailor-made to complement the scenes.
Integrated into the scenes are symbols of various cultures from historical times, such as symbols of the Papago tribe (Tohono O’odham) of Native American culture in south Arizona, which correspond particularly to the narrative of the showcased series, but may correspond in their various messages to any periodical time, messages which depict the repetition of the cycle of life and the bloody, redundant wars taking places again and again throughout history and for many a generation, which are not being studied for the sake of change and their prevention in years to come.
相关主题
Daphna Laszlo Katzor Multidisciplinary art: Sculpture and Photography Digital Art. Daphna is an NB Haifa School of Design, photography department graduate and Orian College Tel Aviv in multimedia. Daphna is the director of Studio Shoot, engaged, in portrait photography for the Israeli newspaper Ma’ariv, as well as in commercial photography: advertising and fashion, conducts lectures and teaches photography. Daphna is an artist engaging in sculpture and artistic digital photography and widely displayed and exhibited her varied works in worldwide.
My digital-art pieces are created by integrating digital-photography taken in the studio or in other environment, with computer digital editing. The works are composed of many layers of photographs. By employing different techniques in one piece, the details of the photographs which appear in it are endowed with a new meaning and a new reality composed of all the details which were joined together is created.
My digital images are processed, creating a work of art that is completely different from the original photograph images.
My digital-art pieces are surrealistic; surrealism serves well the messages I seek to convey through my works.
In the works, I integrated cultures and traditions, thus creating a world wherein fact and fiction are intertwined. I create a novel, imagined reality, of a setting based in a different, unclear time, which I am attempting to examine. I am enabling the viewer to find enjoyment in classical aesthetics, a hypnotizing array of colours, and an intoxicating pastoral beauty. However, following a meticulous review and a thorough understanding of every detail and gesture, the hidden, harsh revelations are discovered, and a realization is reached, that the scenes serve as an allegory for the state of man, society, and culture as a whole, and for the image of the world we are leaving behind.
