VANITÉ DESPOTIQUE Digital Arts by Daniel Toublanc

Fine art paper, 11x8 in
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Outsider Art
Description: service impression "Artmajeur" About this artwork: Classification, Techniques & Styles. Outsider Art. Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. He will also advise to "draw like a child" and encourage self-taught artists. Technic Digital [...]
Description: service impression "Artmajeur"

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Daniel ToublancVanité DespotiqueArts Numériques

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Born in Paris in 1936, he discovered the works of the great masters of painting at an early age, and has been painting since his youth. He currently lives between the Île-de-France region and Normandy. After studying [...]

Born in Paris in 1936, he discovered the works of the great masters of painting at an early age, and has been painting since his youth.

He currently lives between the Île-de-France region and Normandy.

After studying humanities, law, and art history, and the Algerian War, he then held several jobs and hesitated for a long time between painting, literature, and music. He quickly began painting, and his life flowed from Montparnasse to the Pont des Arts and from Montmartre to the Contrescarpe, where he frequented various studios.

Extending himself beyond the norm, above classification, this colorist, initially influenced by Symbolism and Surrealism, turned radically towards original personal creations where he asserted total freedom of expression.

He finds immense pleasure in vigorously revealing virtual, multicolored, and contrasting forms, never before seen, whose source is infinite. Daniel Toublanc offers the vertigo of interactive and multidimensional journeys. He refuses to confine himself to an abstract or figurative chapel. He strives to be unclassifiable.

His work was recognized in 1999, 2002, and 2004 with silver medals from the Académie Internationale de Lutetia. In 2000, he received a first prize from the Fédération Nationale de la Culture Française and in 2001, a Victoire de la peinture de Saint-Tropez from the FNCF.

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