"Deep (empty) Space" (2022) 绘画 由 Cicero Spin

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卖家 Cicero Spin

美术纸, 8x8 in
Markers, inkjet prints on reused paper and acrylics on canvas, 120,0x120,0cm, 2022. 关于这件艺术品: 分类, 技术技巧 & 款式. 标记. 使用带有自己的墨水源的大毡制成的绘图。墨水可能会或无法消除。. 丙烯. 使用传统颜料与合成树脂混合的油漆。. 墨. 一种强烈着色的液体或糊剂,用于标记纸张或其他可打印材料。该设计是使用厚板,羽毛,刷子或矫直机手动完成的。. 模版. 模板是一种技术,可让您使用叠加在支架上的预切割板来复制图案。. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。. [...]
Markers, inkjet prints on reused paper and acrylics on canvas, 120,0x120,0cm, 2022.

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Cícero Spin is a Brazilian mixed-media artist, born in Brasília in 1973 and living in Fortaleza since 2006. His work is a fusion of pop art, graffiti and street art, with a strong influence from urban visual culture [...]

Cícero Spin is a Brazilian mixed-media artist, born in Brasília in 1973 and living in Fortaleza since 2006. His work is a fusion of pop art, graffiti and street art, with a strong influence from urban visual culture and the aesthetics of wear and tear - the trace of time imprinted on the surfaces of the city. His artistic career began independently, guided by intense study and daily experimentation with materials and techniques. The turning point came in 2012, when he visited Art Basel Miami and realized that not only did he like art, but that he could create his own works. The impulse to start was so strong that the idea never left his head, and over the next few months he immersed himself in learning the fundamentals of drawing, elements of art, composition and mixed techniques. It was a calling that required courage, as it meant embarking on a new path as an adult and dealing with possible misunderstandings. But right from the start, it was clear that it wasn't a hobby - it was a vocation.

Cícero Spin has developed his own style, in which the reuse of discarded materials is a central element. He builds his own supports from office papers, old book pages, fragments of magazines and newspapers, glued together or on fabrics.
This base is transformed into a textured visual field reminiscent of city walls, where layers of paint, torn posters, advertising and graffiti fragments accumulate over time. Through this construction, he seeks to reveal reminiscences of beauty, even in the midst of noise and chaos. His creative process usually involves digital and manual phases. He often uses the iPad and computer for planning and composition, often resorting to public domain images, which are digitally manipulated and then printed to compose collages or serve as the basis for new layers of paint. Stenciling is a recurring technique, both in the digital phase and in the final execution of the work, as is inkjet or laser printing on reused paper. He also uses algorithmic art, creating drawings with a simple plotter and interfering manually to bring unexpected elements into the compositions. His references come from pop culture, especially from the 1950s to the 1980s, old comics, music concert posters, abstract expressionism and especially abstract realism.

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