Backyard #3 (2020) Картина - Charles Jiao

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Художникам выплачивается роялти за каждую продажу

Продано по Charles Jiao

уникальный экземпляр
Работа за подписью художника
Сертификат подлинности включен
Это художественное произведение появляется в 2 в коллекциях
  • Подлинное произведение искусства (One Of A Kind) Картина, Масло на Холст
  • Размеры Высота 16in, Ширина 20in
  • Рама Эта работа не оформлена
  • Категории Картины до 1 000 $ Импрессионизм Пейзаж
This was a backyard scene in a neighborhood that I often visited. There I found a thick layer of fallen leaves including the green ones, even though the fall just started and trees were mostly green. По поводу данного произведения: Классификация, методы & Стили[...]
This was a backyard scene in a neighborhood that I often visited. There I found a thick layer of fallen leaves including the green ones, even though the fall just started and trees were mostly green.

Связанные темы

BackyardFallLeavesTreesLandscape

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I am a Ph.D. chemist-turned-artist. Having worked as a scientist in a national research laboratory for decades, with my kids all grown up and left home, in 2019 I decided to become a “full time” oil painter,[...]

I am a Ph.D. chemist-turned-artist. Having worked as a scientist in a national research laboratory for decades, with my kids all grown up and left home, in 2019 I decided to become a “full time” oil painter, to pursue my artist’s dream I had ever since my childhood. This year (2021) I became a member of Oil Painters of America , with one of my recent paintings accepted for OPA 2021 Salon Show. 

My earlier progress in art owes thanks to Professor Cheng-Khee Chee at University of Minnesota-Duluth, who taught me watercolor in private many years ago. Although I later switched to oil painting because it is more mistake forgiving, his teaching has long lasting effects to my oil painting techniques.

I firmly believe in what a famous Chinese painter once said: the beauty of painting lies between the like and the not-like. In his opinion, too lifelike is fawning, while totally not-like is deceiving. I am continuously exploring painting techniques in accord with this maxim, although on the other hand I also admire artists who can make hyper-realism or abstract artworks. 

In the full spectrum between the hyper-realism at one end and the abstract at the other, lies a variety of painting styles, from very tight and realistic to rather loose and not objective painting. I position myself as a realist painter with an abstract style of brushstrokes. My painting subjects are scenes from ordinary everyday-life. Among other means to enhance the beauty of the subject, abstract brushstroke is employed to add more interesting elements to the painting.

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