woman 1 (1997) Dibujo por Bibiana Ulanosky

Lápiz en Papel, 11,8x19,7 in
861,37 US$
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Vendedor Bibiana Ulanosky
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Esta obra aparece en las colecciones 1
  • Obra de arte original (One Of A Kind) Dibujo, Lápiz en Papel
  • Dimensiones Altura 11,8in, Anchura 19,7in
  • Estado de la obra de arte La obra de arte está en perfectas condiciones
  • Enmarcado Esta obra de arte no está enmarcada.
  • Categorías Dibujos menos de 1.000 US$ Expresionismo Desnudo
In this work, I have captured the calm and vulnerable essence of the human form through the pencil technique. Each stroke reflects a sincere exploration of emotions and the naturalness of the body, seeking to reveal more than mere appearance, but the underlying human spirit. The line, the stroke, transforms into a woman. I made this drawing by observing [...]
In this work, I have captured the calm and vulnerable essence of the human form through the pencil technique. Each stroke reflects a sincere exploration of emotions and the naturalness of the body, seeking to reveal more than mere appearance, but the underlying human spirit. The line, the stroke, transforms into a woman. I made this drawing by observing the model from life during the model drawing workshops at the Ciruculo de Bellas Artes in Madrid. This drawing will not only beautify a space but will also invite reflection and introspective calm in any home.

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Born in Argentina, Bibiana Ulanosky has been immersed in creative expression since early childhood. Alongside her long-standing career as an architect with her own practice, she has developed a rich and deeply [...]

Born in Argentina, Bibiana Ulanosky has been immersed in creative expression since early childhood. Alongside her long-standing career as an architect with her own practice, she has developed a rich and deeply introspective body of work in painting and drawing.
Her artistic inquiry centers on femininity and identity. In series such as She, Venus, Woman, and Nymphs, Ulanosky explores the complexities of female sexual identity—merging figuration and abstraction to evoke strength, vulnerability, and transformation.
Her landscapes, vivid in color and rhythm, consistently revolve around the motif of the path—not just as a visual element but as a metaphor for emotional and existential movement. These works exist in a state of flux, suggesting temporality, memory, and personal narrative.
Ulanosky’s expressive power is evident in the confident line of her drawings and the gestural force of her brushwork. As art critic Mario Kohan has observed, her images seem to radiate from the canvas with an inner light, charged with emotional and spiritual intensity.
Despite a lifetime of uninterrupted creation, Ulanosky has intentionally placed art-making above self-promotion. Only in recent years has she begun to actively share her work—offering collectors and curators a unique, mature voice within the contemporary art scene.

Bibiana Ulanosky began her artistic journey in Buenos Aires, studying at the Vázquez Málaga School of Ceramics (1963–1968), where she excelled in clay modeling and enamel techniques. Her early work was exhibited in several group shows, including at the Wildenstein Art Gallery in 1966/67.
While completing her Architecture degree at the University of Buenos Aires (1968–1975), she studied sculpture and life drawing with renowned sculptor Leo Vinci, gaining early recognition through exhibitions and televised interviews as a promising young artist.
Since relocating to Madrid in 1976, she has combined architectural practice with a consistent artistic career. In the late 1970s and early 1980s, she exhibited at institutions such as Caja Madrid and the Architects' Association of Madrid. In 1986–87, she was selected to join professional painting workshops at the Círculo de Bellas Artes, led by Antonio Saura, Pablo Palazuelo, and Albert Ràfols-Casamada. Her acceptance into these programs—despite a background in sculpture—highlighted the originality and strength of her artistic vision.
Her work has been shown in cultural spaces and municipal galleries across Spain. Since the 1990s, she has focused primarily on painting and drawing, alongside her independent architecture practice.
In recent years, she exhibited at Galería Azur in Madrid (2022), selling two of the three works presented, and in 2024 she participated in a curated group show with a professional artists’ collective, reinforcing her active role in the contemporary Spanish art scene.

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