Vendedor Bahram Berj Kafai
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Usage: Licencia web
| 1500 px | ||
|
1133 px |
| Dimensiones del archivo (px) | 1500x1133 |
| Uso en todo el mundo | Sí |
| Uso en multi-soporte | Sí |
| Uso en cualquier tipo de medio | Sí |
| Derecho de revender | No |
| Número máximo de impresiones | 0 (Zero) |
| Productos destinados a la venta | No |
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Banco de imágenes de arte-
Obra de arte original (One Of A Kind)
Pintura,
Oleo
- Dimensiones Altura 24in, Anchura 32in
- Estado de la obra de arte La obra de arte está en perfectas condiciones
- Enmarcado Esta obra de arte no está enmarcada.
- Categorías Expresionismo Paisaje
Turpentine & Tobacco
(for my father)
Your brush strokes are wider now,
the colors, more experienced.
This sky glows like loud anger,
the hills in agitated uproars
of orange and fire.
I can see your heart hung—-
protesting body
from the branched elbow of the tree
in frantic motion.
wanting, trying to come undone,
to fit where it belongs
without its restless beating.
Your sound has struck the canvas,
It calls out in bold slaps,
left and right,
piling onto itself in confusion,
your confusion,
an off-beat caught in the landscape of a day.
How you’ve painted yourself stills me.
Watching, I am aware of your restriction
as a painter: 32 x 24, and your restriction
as a person living in a society that tells.
Poem by: Professor Shayda Kafai
Temas relacionados
Bahram Berj Kafai is an Iranian-American painter, retired Aerospace Engineer and inventor of several U.S. Patents in Nano-Technology, based in California for the past forty years. He is noted for expressionist paintings of the Golden State's rich landscapes and astronomy subjects.
Philosophy
My paintings interpret nature, its cyclical images of growth and renewal. I paint nature not as I see it, but as it ought to be. I want to be up close to the image, to have the sun low enough in the sky so that light reflects off surfaces in dynamic ways. I want trees to be the key compositional elements of each piece. Finished paintings are a synthesis of my imagination and my observations of nature.
My landscape pieces are either busy with tree branches, capturing the complexity and meticulous detail of nature, or simple and rough, conveying a sense of calm. The latter of these techniques happens and develops intuitively. The colors of the paint, the amount of light is not necessary. My internal reaction to the scenery is what I focus on; everything else is forgotten.
The more worked on paintings, the ones with webbed shadows and detailed reflections, are more dynamic: the calm of color and frantic lines show the peeking and falling of moods. Nature as a subject is never still. It always provides variations, new ways of seeing. This is what inspires me to paint; I want to capture nature as it constantly mends itself.
When I paint in the open air, I am living in my canvas, in my subject matter. I eat, sleep, and exist in what I will later capture in paint. I witness nature in all four of her seasons and may travel several times to the same location, paying heed to light, the movement of branches. I may visit the same site in rain, in the fall, or at the peek of summer to see how temperature and the seasons affect the same landscape and the way it is to be interpreted.
“I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”
-Albert Einstein
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Nacionalidad:
ESTADOS UNIDOS
- Fecha de nacimiento : 1956
- Dominios artísticos:
- Grupos: Artistas Americanos Contemporáneos
